In a small North-Western town where it always rains, the factories have closed and everyone lives for beer, bare flesh and brawling on Saturday nights, Jeannie works in the perfume hall of Pemberton's department store. A little dowdy, a little dog-eared, she is not the most impressive of perfume girls, and largely passes her days counting down to her marriage to Jimmy, her teenage sweetheart, now a mechanic. The course of Jeannie's life has always seemed plotted out - she will remain in the town where she was raised, settle down, have children. But since Jimmy's proposal she has begun to question whether this is what she really wants. Her confusion is not aided by Daniel, a drifter she meets at the railway station. Well-read, comparatively well-travelled, and with a cultivated air of mystery, he suggests excitement, possibility, and a life beyond the town. As her wedding day nears she must decide whether to stay and get married, or take a chance on a man who may not be all he seems.
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Laura Barton is a writer and broadcaster. A feature writer and music columnist for the Guardian for more than decade, she now writes for a variety of publications including the Guardian, the Observer, the New York Times, 1843 magazine, the Telegraph and the Financial Times. She is also a contributing editor at Q magazine. In 2010 she published a novel, Twenty-One Locks, which received a Betty Trask Award. She is a regular contributor to Radio 4 and Radio 3, for whom she has written and presented documentaries on subjects as diverse as the musicians Abner Jay and Karen Dalton, the allure of the tomboy, the role of silence in Shakespeare, and a three-part examination of confidence. Her series on music and landscape, Laura Barton's Notes From a Musical Island, has now run for three seasons on Radio 4. She speaks regularly at festivals and universities, and since 2018 she has curated the literary stage at Green Man festival. She also moonlights in A&R for a music publishing company, and has signed some of contemporary music's most sought-after acts.
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