Articles liés à Schwitters in Britain /anglais

Schwitters in Britain /anglais - Couverture souple

Chambers, Emma

 
9781849760263: Schwitters in Britain /anglais
Couverture souple
ISBN 10 : 1849760268 ISBN 13 : 9781849760263
Editeur : Tate Publishing, 2013

Synopsis

Kurt Schwitters (1887-1948) was one of the most influential European avant-garde artists to come to prominence in the interwar years. Associated at various times with Dada, Constructivism and Surrealism, he produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. This book concentrates on Schwitters' lesser known late works,made during his time in Britain, but sets the scene by recounting and summarising his earlier achievements.

Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned as an enemy alien in 1940 on the Isle of Man. The last eight years of his life, spent in Britain, were in fact intensely productive. His British-period work included collages which utilised London ephemera and American magazines. This period also saw the development of assemblages and sculptures based on found organic objects, culminating in his last great sculpture and installation, the Merzbarn in the Lake District, itself a continuation of the concept of the Hanover Merzbau, one of the key lost works of modern times. The book sees Schwitters not as an artist in isolation but as part of a network, both inside and outside the camps, of other refugee artists and figures in the European avant-garde.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Emma Chambers is Curator, Modern British Art, at Tate. Karin Orchard is Kurator fur Graphik at Sprengel Museum, Hanover.

À propos de la quatrième de couverture

Kurt Schwitters (1887-1948) was one of the most influential European avant-garde artists to come to prominence in the interwar years. Associated at various times with Dada, Constructivism and Surrealism, he produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. This book concentrates on Schwitters' lesser known late works,made during his time in Britain, but sets the scene by recounting and summarising his earlier achievements.

Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned as an enemy alien in 1940 on the Isle of Man. The last eight years of his life, spent in Britain, were in fact intensely productive. His British-period work included collages which utilised London ephemera and American magazines. This period also saw the development of assemblages and sculptures based on found organic objects, culminating in his last great sculpture and installation, the Merzbarn in the Lake District, itself a continuation of the concept of the Hanover Merzbau, one of the key lost works of modern times. The book sees Schwitters not as an artist in isolation but as part of a network, both inside and outside the camps, of other refugee artists and figures in the European avant-garde.

À propos de la deuxième de couverture

Kurt Schwitters (1887-1948) was one of the most influential European avant-garde artists to come to prominence in the interwar years. Associated at various times with Dada, Constructivism and Surrealism, he produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. This book concentrates on Schwitters' lesser known late works,made during his time in Britain, but sets the scene by recounting and summarising his earlier achievements.

Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned as an enemy alien in 1940 on the Isle of Man. The last eight years of his life, spent in Britain, were in fact intensely productive. His British-period work included collages which utilised London ephemera and American magazines. This period also saw the development of assemblages and sculptures based on found organic objects, culminating in his last great sculpture and installation, the Merzbarn in the Lake District, itself a continuation of the concept of the Hanover Merzbau, one of the key lost works of modern times. The book sees Schwitters not as an artist in isolation but as part of a network, both inside and outside the camps, of other refugee artists and figures in the European avant-garde.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Tate Publishing
Date d'édition
2013
Langue
anglais
ISBN 10 
1849760268
ISBN 13 
9781849760263
Reliure
Broché
Nombre de pages
168
Coordonnées du fabricant
non disponible
Personne responsable
non disponible