Lively, informative and entertaining, this is an account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his "Blam-Pow" comics panels, Andy warhol, shy, shrewd and tough as nails, and the power couple of Leo Castelli and Ileana sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him "vulgar"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others.
While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement "set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed."
rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alice Goldfarb Marquis, a journalist and historian, was a visiting professor at the University of California in san Diego. Her previous books include Art Czar: The Rise and Fall of Clement Greenberg, Hopes and Ashes: The Birth of Modern Times 1929-1939, and The Art Biz: The Covert World of Collectors, Dealers, Auction Houses, Museums, and Critics. she died in 2009.
Lively, informative and entertaining, this is an account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his "Blam-Pow" comics panels, Andy warhol, shy, shrewd and tough as nails, and the power couple of Leo Castelli and Ileana sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him "vulgar"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others.
While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement "set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed."
rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters.
Lively, informative and entertaining, this is an account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his \"Blam-Pow\" comics panels, Andy warhol, shy, shrewd and tough as nails, and the power couple of Leo Castelli and Ileana sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him \"vulgar\"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others.
While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement \"set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed.\"
rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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