Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements, photography, text and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity.
In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting up each work in the final piece into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. Published in close collaboration with the artist, this brand-new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
Accompanying the artist's latest exhibition in Paris, Rear Views is a very suitable vehicle for photographer Taryn Simon's trademark research-heavy approach. Assembling much of the work the American artist has created since 2002, the book chronicles the minutiae and back-stories behind her large-scale photographic installations. We especially like A Polite Fiction, which explores the deceptions, fictions, strategies and covert interactions behind the construction of Frank Gehry's Fondation Louis Vuitton, with the object - as ever - at its heart. --Wallpaper*
Amasses the artist's works from 2002 to present into a dense-but-captivating diary... It's an art book, but also a social inquisition. --Source Magazine
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EUR 3,60 expédition vers Etats-Unis
Destinations, frais et délaisEUR 30 expédition depuis France vers Etats-Unis
Destinations, frais et délaisVendeur : Books From California, Simi Valley, CA, Etats-Unis
Hardcover. Etat : Fine. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear. N° de réf. du vendeur mon0002935709
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Vendeur : HPB Inc., Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_409905682
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Vendeur : HPB-Red, Dallas, TX, Etats-Unis
hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_382922831
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 21281476
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Vendeur : Ludilivre Photobooks, FONTAINEBLEAU, France
Etat : Neuf. N° de réf. du vendeur OD-91L9-EWX7
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 21281476-n
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography. Published in close collaboration with the artist, this book is the first to draw together her diverse and complex range of projects. Simon's art is based around the equal use of photography, text, and graphic design. In the work represented in this book, she combines these elements in projects that range in focus and scope from a series of examinations of the United States legal system; to a four-year examination of politics, history, and individual agency on a global scale; to works based on obscure and little-known stories and archives addressing the nature of the production and circulation of knowledge. Along with the artwork, texts by a distinguished group of authors demonstrate Simon's role as a preeminent exponent of a practice that engages equally with the modern world and the politics of representation. BEAUTIFUL COPY!!! N° de réf. du vendeur 307594
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Vendeur : Setanta Books, Richmond, SURRE, Royaume-Uni
Hardcover. Etat : New. 1st Edition. First edition large format hardback in new condition, no markings, this is a brand new book, please see pics, PayPal accepted, any questions please get in touch. N° de réf. du vendeur ABE-1541412819359
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Num Pages: 388 pages, 200 colour illustrations. BIC Classification: ACXJ; AGB; AJB. Category: (G) General (US: Trade). Dimension: 282 x 162 x 40. Weight in Grams: 1428. . 2015. Hardcover. . . . . N° de réf. du vendeur V9781849762359
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Vendeur : Quinto Bookshop, London, Royaume-Uni
Hardcover. Etat : Near Fine. 1st Edition. First edition. Half-cloth boards. No dust jacket as issued. 394pp. Introduction by Simon Baker; other texts and artwork by Taryn Simon. A near fine copy. N° de réf. du vendeur 900371
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