A ground-breaking exhibition at Tate Britain, scheduled to mark the end of the 1918 centenary commemorative period, will be the first to examine the memorialisation and the social and aesthetic impact of the First World War. It will explore how memories of the war have been filtered through specific cultural forms and political agendas. These range from memorial painting and sculpture, to representations of the destruction of bodies and landscape, and new aesthetic developments in art which offered ways of
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Emma Chambers is Curator, Modern British Art at Tate.
A ground-breaking exhibition at Tate Britain, scheduled to mark the end of the 1918 centenary commemorative period, will be the first to examine the memorialisation and the social and aesthetic impact of the First World War. It will explore how memories of the war have been filtered through specific cultural forms and political agendas. These range from memorial painting and sculpture, to representations of the destruction of bodies and landscape, and new aesthetic developments in art which offered ways of
A ground-breaking exhibition at Tate Britain, scheduled to mark the end of the 1918 centenary commemorative period, will be the first to examine the memorialisation and the social and aesthetic impact of the First World War. It will explore how memories of the war have been filtered through specific cultural forms and political agendas. These range from memorial painting and sculpture, to representations of the destruction of bodies and landscape, and new aesthetic developments in art which offered ways of critiquing and re-imagining post-war society. It will compare visual responses to the war in Britain, Germany and France and include painting, sculpture, works on paper, photography, film and medical collections. This accompanying publication will examine how processes of commemoration and mourning were represented through the visual arts in Britain, Germany and France. Illustrations will range from artworks specifically commissioned as memorials of war - such as commemorative painting cycles and memorial sculpture - to those associated with formal and intellectual developments such as Dada and Surrealism, which created new visual forms to process experiences and memories of the conflict.
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Paperback. Etat : Near fine. First Edition. AFTERMATH:Art in the Wake of World War One is the caatalog for the 2018 exhibition at the Tate. Artists include HENRY Moore, Picasso, Oskar Schlemmer, Kurt Schwitters, Henry Tonks, Max Beckman, Otto Dix, Max Ernst, George Grosz, Kathy Koollwitz and many others. Texts by Emma Chambers, Catherine Moriarty, Michael White, Simon Martin, Dorothy Price, Rachael Rose Smith. 128 pages,paper with stiff cover. COLOR AND BLACK AND WHITE REPRODUCTIONS. Near fine condition. N° de réf. du vendeur 3785
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