The prevailing mood of David Constantine’s poetry is one of unease, often elegiac or comically edged, barbed with pain or tinged with pleasure. His new book Something for the Ghosts holds a worried and restless balance between celebration and anxiety, restraint and longing. Before ghosts speak, they need a drink of blood, according to Homer. Several of these poems summon up the dead and give them a voice, giving expression to the love and grief that go with them. All poetry, however private or distant its origins, is an attempt to give palpable life to what would otherwise be unapproachable by the senses. Every reader gives someone else’s poem a new lease of life, another metamorphosis in flesh and blood, and the poem quickens its new host like the necessary draught that Odysseus gave his ghosts at the mouth of Hades. David Constantine’s book does not exorcise any ghosts, but rather does the opposite, making them more vigorous and persistent in their haunting. This edition is now out of print but the whole collection is included in David Constantine's Collected Poems (2004).
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David Constantine was born in 1944 in Salford, Lancashire. He read Modern Languages at Wadham College, Oxford, and lectured in German at Durham from 1969 to 1981 and at Oxford from 1981 to 2000. He is a freelance writer and translator, a Fellow of the Queen’s College, Oxford, and was co-editor of Modern Poetry in Translation from 2004 to 2013. He lives in Oxford and on Scilly. He has published ten books of poetry, five translations and a novel with Bloodaxe. His poetry titles include Something for the Ghosts (2002), which was shortlisted for the Whitbread Poetry Award; Collected Poems (2004), a Poetry Book Society Recommendation; Nine Fathom Deep (2009); and Elder (2014). His eleventh collection, Belongings, is published by Bloodaxe in 2020. His Bloodaxe translations include editions of Henri Michaux and Philippe Jaccottet; his Selected Poems of Hölderlin, winner of the European Poetry Translation Prize, and his version of Hölderlin’s Sophocles, combined in his new expanded Hölderlin edition, Selected Poetry (2018); and his translation of Hans Magnus Enzensberger’s Lighter Than Air, winner of the Corneliu M. Popescu Prize for European Poetry Translation. His other books include A Living Language: Newcastle/Bloodaxe Poetry Lectures (2004), his translation of Goethe’s Faust in Penguin Classics (2005, 2009), his monograph Poetry (2013) in Oxford University Press’s series The Literary Agenda, and his co-translation (with Tom Kuhn) of The Collected Poems of Bertolt Brecht (W.W. Norton, 2018). He has published six collections of short stories, and won the Frank O’Connor International Short Story Award in 2013 for his collection Tea at the Midland (Comma Press), and is the first English writer to win this prestigious international fiction award. Four other short story collections, Under the Dam (2005), The Shieling (2009), In Another Country: Selected Stories (2015) and The Dressing-Up Box (2019), and his second novel, The Life-Writer (2015), are published by Comma Press. His story 'Tea at the Midland' won the BBC National Short Story Award in 2010, while 'In Another Country' was adapted into 45 Years, a major film starring Tom Courtney and Charlotte Rampling.
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