Poetry Book Society Recommendation
'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality.
Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one.
For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage.
Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity.
Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
W.N. [Bill] Herbert is a highly versatile poet who writes both in English and Scots. Born in Dundee, he established his reputation with two English/Scots collections from Bloodaxe, Forked Tongue (1994) and Cabaret McGonagall (1996), followed by The Laurelude (1998), The Big Bumper Book of Troy (2002), Bad Shaman Blues (2006) and Omnesia (2013). His latest collection, The Wreck of the Fathership, was publshed by Bloodaxe in 2020. He has also published a critical study, To Circumjack MacDiarmid (OUP, 1992) drawn from his PhD research. His practical guide Writing Poetry was published by Routledge in 2010. He co-edited Strong Words: modern poets on modern poetry (Bloodaxe Books, 2000) with Matthew Hollis, and Jade Ladder: Contemporary Chinese Poetry (Bloodaxe Books, 2012) with Yang Lian. Bill Herbert is Professor of Poetry and Creative Writing at Newcastle University and lives in a lighthouse overlooking the River Tyne at North Shields. He was appointed Dundee's first Makar from 2013 to 2018.
Twice shortlisted for the T.S. Eliot Prize, his collections have also been shortlisted for the Forward Prize, McVities Prize, Saltire Awards and Saltire Society Scottish Book of the Year Award. Four are Poetry Book Society Recommendations. In 2014 he was awarded a Cholmondeley Prize for his poetry, and an honorary doctorate from Dundee University. In 2015 he became a Fellow of the Royal Society of Literature.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR005951592
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. N° de réf. du vendeur GOR009291717
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Paperback. Etat : new. Paperback. 'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading? 'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781852249625
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. 'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading? N° de réf. du vendeur LU-9781852249625
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Vendeur : Orbiting Books, Hereford, Royaume-Uni
Paperback. Etat : Very Good. Bumped edges. Slight scratches to cover. Sun Damage to edge of pages. Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries. N° de réf. du vendeur mon0000622129
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. 'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading? N° de réf. du vendeur LU-9781852249625
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Paperback. Etat : Good. N° de réf. du vendeur mon0000362162
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Vendeur : WYEMART LIMITED, HEREFORD, Royaume-Uni
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