Dance is a uniquely significant art form, whose primary material is not simply the 'body', but energy as it is used and experienced in movement. Energy is central to discourses of modernity and modernism, in which choreographers and dancers can actively intervene through their innovative uses of energy. Mary Wigman, Martha Graham and Merce Cunningham are key choreographers of the twentieth and twenty-first centuries, whose rhythmic innovations challenged established norms of energy usage in their socio-cultural contexts, enabling their contemporaries to engage differently with dominant economies of energy. This book explores their rhythmic innovations by combining discussion of cultural contexts with close analysis of specific dance works. Uses of energy in dance are described and analysed with the aid of concepts drawn from Rudolf Laban's writings, and are theorized with reference to historical, social and cultural contexts and to phenomenological and post-structuralist approaches to the embodied subject, constructing the argument that choreographical innovation - including recent work using digital technologies - involves a process of 'kinesthetic imagination'.
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-Q-036-03462
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : Used-Very Good. Paper. Minor shelf wear. N° de réf. du vendeur 1880789
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Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Etat : Near Fine. 1st Edition. Near Fine lightly rubbed and edgeworn trade paperback. A clean lightly used copy. N° de réf. du vendeur 001945
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Vendeur : Agapea Libros, Malaga, MA, Espagne
Etat : New. Idioma/Language: Inglés. Dance is a uniquely significant art form, whose primary material is not simply 'the body', but energy as it is used and experienced in movement. Energy is central to discourses of modernity and modernism, in which choreographers and dancers can actively intervene through their innovative use of energy. Mary Wigman, Martha Graham, and Merce Cunningham are key choreographers of the twentieth and twenty-first centuries, whose rhythmic innovations challenged and established norms of energy usage in their socio-cultural contexts, enabling their contemporaries to engage differently with dominant economics of energy. Dee Reynolds' book explores the rhythmic innovations of these choreographers by combining discussion of cultural contexts with close analysis of specific dance works. Uses of energy in dance are described and analysed with the aid of concepts drawn from Rudolf Laban's writings, and are theorised with reference to historical, social and cultural contexts and to phenomenological and poststructuralist approaches to the embodied subject, constructing the argument that choreographical innovation - including recent work using digital technologies - involves a process of 'kinesthetic imagination'. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. N° de réf. du vendeur 1169353
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9781852731120
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Vendeur : Einar & Bert Theaterbuchhandlung, Berlin, Allemagne
Softcover/Taschenbuch. Etat : Wie neu. Wie neu. N° de réf. du vendeur EB4622
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 328 pages. 9.00x6.10x0.80 inches. In Stock. N° de réf. du vendeur 1852731125
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