Book by Cage John Millar Jeremy Wright Lauren
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book is published to accompany the first major retrospective in the UK of the visual art of the pioneering American composer and artist John Cage (1912-1992), and is lavishly illustrated with full colour plates of his drawings, watercolours and prints. The use of chance operations, in particular the Chinese Book of Changes, or I Ching, was central to Cage's compositional method and his approach to visual art. In his series Where R=Ryoanji (1983-92), pencil drawings on handmade Indian rag paper, Cage traced around the contours of stones using the I Ching in order to determine the position of each; a similar process was used to create the New River Watercolors (1988), New River Rocks and Washes (1990) and other works. Cage also used the I Ching to determine the technique, composition and tonal values of the prints he created at Crown Point Press. An introduction by curator Jeremy Millar explores Cage's visual art and his unique practice. His working methods and philosophies are brought to light in new interviews with key collaborators: printmaker Kathan Brown; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's 1992 'composition for a museum', Rolywholyover: A Circus. Extracts from a 1966 interview between Cage and the critic Irving Sandler are also included. At the heart of the book is a 'Companion to Cage': a selection of quotations by Cage and notes on key themes and influences from 'Alphabet' to 'Zen', making it essential reading on this important figure of the twentieth-century avant-garde.
Jeremy Millar is an artist and AHRC Research Fellow in the Creative and Performing Arts at the Ruskin School of Drawing and Fine Art, University of Oxford. He has exhibited widely in the UK and abroad and regularly contributes to art journals and publications.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : DO NOT START, Grand Rapids, MI, Etats-Unis
Soft cover. Etat : Fine. 1st Edition. Out of print. Book is in good condition with no markings/damage. One of the twentieth century's most influential and iconoclastic protagonists, John Cage (1912-1992) may be described not so much as a composer, artist and author, as a thinker who applied his ideas equivalently to sound, visual art and writing. As with his music, the use of chance operations--in particular via the Chinese Book of Changes, or I Ching--was central to Cage's approach to visual art, determining technique, the placement of forms and even tonal values. Every Day is a Good Day provides the first broad assessment of Cage's art, and is fully illustrated with plates of his drawings, watercolors and prints, including series such as Where R=Ryoanji (1983-92). Cage's working methods and philosophies are brought to light in new interviews with key collaborators: printmaker and writer Kathan Brown, founder of Crown Point Press; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's composition for a museum, Rolywholyover: A Circus. Extracts from a 1966 interview between John Cage and critic Irving Sandler are also reproduced. At the heart of the book is a "Companion to John Cage," a selection of quotes by Cage and notes on key themes and influences, all of which make it essential reading on this important figure of the twentieth-century avant garde. About the Author: Jeremy Millar is an artist and AHRC Research Fellow in the Creative and Performing Arts at the Ruskin School of Drawing and Fine Art, University of Oxford. He has exhibited widely in the UK and abroad and regularly contributes to art journals and publications. N° de réf. du vendeur ABE-1788446133705
Quantité disponible : 1 disponible(s)
Vendeur : Foggypaws, Sonoma, CA, Etats-Unis
paperback. Etat : Very Good. Paperback in very good condition. All inside pages are in great shape. Minor shelf wear to the cover and gray spine. N° de réf. du vendeur mon0000083365
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. One of the twentieth century's most influential and iconoclastic protagonists, John Cage (1912-1992) may be described not so much as a composer, artist and author, as a thinker who applied his ideas equivalently to sound, visual art and writing. As with his music, the use of chance operations--in particular via the Chinese Book of Changes, or I Ching--was central to Cage's approach to visual art, determining technique, the placement of forms and even tonal values. Every Day is a Good Day provides the first broad assessment of Cage's art, and is fully illustrated with plates of his drawings, watercolors and prints, including series such as Where R=Ryoanji (1983-92). Cage's working methods and philosophies are brought to light in new interviews with key collaborators: printmaker and writer Kathan Brown, founder of Crown Point Press; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's composition for a museum, Rolywholyover: A Circus. Extracts from a 1966 interview between John Cage and critic Irving Sandler are also reproduced. At the heart of the book is a "Companion to John Cage," a selection of quotes by Cage and notes on key themes and influences, all of which make it essential reading on this important figure of the twentieth-century avant garde. N° de réf. du vendeur 88204
Quantité disponible : 1 disponible(s)