SHORTLISTED FOR THE 2012 TS ELIOT PRIZE
Shortlisted for Wales Book of the Year 2013
Poetry Book Society Recommendation Autumn 2012
In Burying the Wren Deryn Rees-Jones returns to familiar preoccupations but with a new clarity and maturity of vision. With intense lyricism she calls on the Roethkean 'small things' of the universe -- truffles, slugs, trilobites, birds, stones, feathers, flowers, eggs -- which, mysterious, and magical as well as ordinary -- she sets up against loss. Her sequence of 'Dogwoman' poems, which draws on the work of artist Paula Rego, is an extended elegy to her late husband, the poet and critic Michael Murphy. Above all these are poems of the body, ...the blue heartstopping pulse at the wrist , which are alive to the world and the transformative qualities of love.
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Deryn Rees-Jones was educated at the University of Wales, Bangor, and Birkbeck College, London. She is an Eric Gregory Award winner, and The Memory Tray was shortlisted for a Forward Poetry Prize for Best First Collection. In 1996 she received an Arts Council of England Writer s Award. She lives in Liverpool, where she lectures at the University of Liverpool. Her most recent poetry collection Burying the Wren is on the 2012 TS Eliot Prize shortlist
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
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Paperback. Etat : Very Good. Shortlisted for the TS Eliot Prize for Poetry 2012.Shortlisted for the 2013 Wales Book of the Year.Poetry Book Society Recommendation.In her new collection, Deryn Rees-Jones presents poems of intense lyricism in the face of loss, including an extended elegy to her late husband, the poet and critic Michael Murphy. Above all, though, this is poetry that celebrates the life that surrounds us: from Roethkean 'small things' like birds, stones, feathers, flowers, eggs and truffles, to poems of the body, 'the blue heartstopping pulse at the wrist', and the transformative qualities of love."A powerful, deeply moving collection whose searching, often elegiac, sometimes joyous poems remind us that grief is not an end, but another beginning, and that loss drives us, inexorably, to a new kind of finding."John Burnside"The care and cares of this book, its heartbroken, exacting integrity, mark an important development in her work, enhancing its technical and emotional strength, range and versatility."Ian Duhig"This is a collection haunted by images of darkness. Yet the dark is also a source of creativity, of light. This book reminds us that to live (to survive) is itself a creative endeavour, a struggle against formlessness, which requires 'heart' and 'love'. These poems are a moving record of such experience, and a complex work of art."Tom Sperlinger, Huffington Post UK"One of the strongest forces in contemporary Welsh poetry." TLS"A refreshing abundance of energy. vividly sensory, [her work] teems with sharp images and inventive approaches." Poetry ReviewDeryn Rees-Jones was born in Liverpool with family links to North Wales, where she later studied. The Memory Tray (Seren, 1995) was shortlisted for the Forward Prize for Best First Collection. Her other works are Signs Round a Dead Body (Seren, 1998) and Quiver (Seren, 2004), and a critical book, Consorting with Angels (Bloodaxe, 2005), alongside her accompanying anthology Modern Women Poets (Bloodaxe, 2005). In 2004 she was named as one of Mslexia's 'top ten' women poets of the decade, and in 2010 she won a Cholmondeley Award. Her work can be heard at the Poetry Archive. She currently teaches literature at the University of Liverpool. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR006544933
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