Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 9780108-6
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 58145254-20
Quantité disponible : 1 disponible(s)
Vendeur : thebookforest.com, San Rafael, CA, Etats-Unis
Etat : Like New. Text block, pages, boards and binding are pristine, dust wrapper is like new. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped. N° de réf. du vendeur BAY_24_SH_080012
Quantité disponible : 1 disponible(s)
Vendeur : Ted Kottler, Bookseller, Redondo Beach, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 135 pp; illus. Original cloth, 4to. Near Fine, in near fine dust jacket. 'This study of the manufacture, selection and use of the papers that Turner worked on during the latter half of his career is also an introduction to the depths of that knowledge and experience. It charts the constantly developing relationship between his often very imaginative techniques and the grounds he worked on. It documents his complex responses to the rapid changes and increasing sophistication of the design and production of papers for artists. The focus of this second volume are the years 1820-1851. Late in his life, Turner, on being asked for his advice on painting, brought a lifetime of experience, years of both conscious and absorbed understanding to his deceptively simple reply. With one or two exceptions, there is very little direct evidence of Turner's actual thoughts or feelings about paper other than the papers themselves, where his actual use of individual papers is perhaps the most eloquent testimony we could have. The paper is never merely a ground to carry an image but is always an integral part of the work, from the slightest, speediest pencil sketch to the most highly finished watercolor. Turner's understanding of the interplay of a surface and the marks made on it is a crucial part of the actual visual effect of the work' (Oak Knoll Press Web site). N° de réf. du vendeur 18339
Quantité disponible : 1 disponible(s)
Vendeur : Karen Jakobsen (Member of the PBFA), Sturminster Newton, Royaume-Uni
Cloth. Etat : Very Good. Etat de la jaquette : Very Good. Olive cloth with title in gilt on spine. Condition: Very good, with very light shelfwear to covers. The book appears to have belonged to the author as it bears his name at the top of the front endpaper. The book is also signed by the author on the title page. Dustjacket condition: Very good, with light shelfwear. 135pp. Many b/w and some colour illustrations. This book, written by the paper historian Peter Bower, was published to accompany the exhibition held at the Tate Gallery, Millbank, London from 10 October 1990 to 13 January 1991. Signed by Author(s). N° de réf. du vendeur 005796
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9781854370518. N° de réf. du vendeur 7861156
Quantité disponible : 1 disponible(s)
Vendeur : Barnaby, Oxford, Royaume-Uni
Hardcover. Etat : Good. Dust jacket is fully intact, only lightly rubbed at edges. Contents clean and fresh. Otherwise, sound and serviceable. Publisher's note: Whether for a speedy pencil sketch or a highly finished watercolour, the paper Turner used is always an integral part of the work. His intimate understanding of the interplay of surface and the marks made upon it is a crucial part of the visual effect. This book charts the constantly developing relationship between Turner's often very imaginative and innovative techniques and the grounds he worked on. It documents his complex responses to the rapid changes and increasing sophistication of the design and production of papers for artists. 136 pp. Shipped Weight: Under 1 kilo. Category: Art & Design; Turner, J. M. W (Joseph Mallord William), 1775-1851; Paper -- Exhibitions; Artists' materials -- Exhibitions; Drawings; England; ISBN: 1854370510. ISBN/EAN: 9781854370518. Add. Inventory No: 260317EAK005600. N° de réf. du vendeur 260317EAK005600
Quantité disponible : 1 disponible(s)
Vendeur : primatexxt Buchversand, München, Allemagne
gebundene Ausgabe. Etat : Sehr gut. 136 Seiten Leichte äußere Mängel - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 860. N° de réf. du vendeur 302719
Quantité disponible : 1 disponible(s)
Vendeur : Expatriate Bookshop of Denmark/John Jackson Books, Svendborg, Danemark
orig.cloth. 28x21cm, 135 pp., Catalog of an exhibition held at the Tate Gallery, London, Oct. 10, 1990-Jan. 13, 1991. Minor rubbing. VG., dustwrapper. N° de réf. du vendeur 023801
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 74954
Quantité disponible : 1 disponible(s)