Still little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group--in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art--indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career. October Files series
Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University. He is the author of Compulsive Beauty (1993), The Return of the Real: Art and Theory at the End of the Century (1996), and Prosthetic Gods (2004), all published by the MIT Press, and other books.
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Vendeur : Chequamegon Books, Washburn, WI, Etats-Unis
Hardcover. Etat : Fine in Fine dust jacket. 208 pages. Richard Morphet, David Mellor, Sarat Maharaj, Stephen Snoddy contributors foreword by Nicholas Serota Director of the Tate. shipping will be extra for this large book, please inquire; 9 1/2 x 12 ". N° de réf. du vendeur 101026
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208pp. large 4to Profusely illustrated in color and black and white Gray cloth 1st edition. Nice clean tight bright copy: Fine/Fine dj 1-85437-099-5. N° de réf. du vendeur 1041621
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_408603412
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Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Cloth. Etat : Near Fine. Etat de la jaquette : Near Fine. 208 pages 190 illustrations 106 in color. Minor discoloration to the edges consistent with age. Published on the occasion of the exhibition from the Tate Gallery, London 17 June-6 September 1992. Chronology. Bibliography. Book. N° de réf. du vendeur 026396
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustacket, 208 pages, very good condition except pages very yellowed at edges; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur RiHaLo65
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Vendeur : Glands of Destiny First Edition Books, Sedro Woolley, WA, Etats-Unis
hardcover. Etat : Like New. First Edition. Publisher: Tate Gallery, London, 1992.FINE hardcover book in FINE- mylar-protected dust-jacket. Previous owner's artistic embossed stamp at bottom of title page. Tiny bit of wear on fold between front panel and flap. First Edition, First Printing. N° de réf. du vendeur 2312090010
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
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