How did Francis Bacon's painting materials differ from those used by Hogarth? How did Whistler achieve harmony in his paintings and what was the legacy for his pupils and followers? How many different yellow pigments did Gainsborough use to mix the colour of John Chafy's cello and what is their effect? These and other questions can now be answered by the advances in scientific analysis that have shed new light on the working practices of artists of all periods. Revealed here in thirty intriguing case histories are results of the study of British paintings at the Tate Gallery. These investigations, described by the conservators and scientists who worked together to examine each painting, are recorded in non-technical language for everyone interested in the creative process and its impact on our understanding of art.
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Vendeur : Joe Loux, San Francisco, CA, Etats-Unis
The book has some wear on the corners and a discoloration on the back cover near the spine. N° de réf. du vendeur 009
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Vendeur : Paul Hughes - PBFA, Bishop Auckland, Royaume-Uni
Soft cover. Etat : Near Fine. 1st Edition. A nice clean book, free of inscriptions. N° de réf. du vendeur ABE-1713171326651
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. How did Francis Bacon's painting materials differ from those used by Hogarth? How did Whistler achieve harmony in his paintings and what was the legacy for his pupils and followers? How many different yellow pigments did Gainsborough use to mix the colour of John Chafy's cello and what is their effect? These and other questions can now be answered by the advances in scientific analysis that have shed new light on the working practices of artists of all periods. Revealed here in thirty intriguing case histories are results of the study of British paintings at the Tate Gallery. These investigations, described by the conservators and scientists who worked together to examine each painting, are recorded in non-technical language for everyone interested in the creative process and its impact on our understanding of art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR006093379
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Vendeur : timkcbooks, Penzance, Royaume-Uni
First edition, first printing. Fine paperback original . N° de réf. du vendeur 23734
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Very Good. N° de réf. du vendeur mon0001794980
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
Paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-1854372483
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