Mark Lawson, Grayson Perry and Lionel Shriver here consider the effect that art prizes like the Turner Prize have on the short-listed artists and winners. A selection of essays also gives insight into the role played by the Turner Prize in British art.
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Katharine Stout and Lizzie Carey-Thomas are assistant curators at Tate Britain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. The Turner Prize and British Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9781854377425
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. Since the mid 1980s the visual arts scene in Britain has changed beyond recognition and the Turner Prize lies at the heart of an ever-increasing fascination with contemporary culture in the UK. Established in 1984 to draw greater public attention to contemporary art 'in much the same way as the Booker Prize has helped the novel', Turner Prize has both reflected and informed the popular reception of new British art in this country and abroad. Each year a specialist jury has shortlisted some of the most important artists working today, causing annual controversy and debate. The book features a transcribed discussion between Mark Lawson, Grayson Perry (Turner Prize winner 2003), and Lionel Shriver (Orange Prize winner 2005), who consider the effect prizes have on those shortlisted and the winners, for whom it can be both a catalyst to international success and a hinderance to creativity. In addition, a series of artists' statements from a selection of Turner Prize nominees and winners from 1984-2006 lend further insight in to the role the Turner Prize has played since its inauguration.With essays from leading writers and critics including Louisa Buck, Michael Bracewell, Tom Morton and Sacha Craddock the publication considers why prizes are now a core part of contemporary culture, why excellence is celebrated in this way and the impact it has on our view of the artists and their work. N° de réf. du vendeur LU-9781854377425
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Since the mid 1980s the visual arts scene in Britain has changed beyond recognition and the Turner Prize lies at the heart of an ever-increasing fascination with contemporary culture in the UK. Established in 1984 to draw greater public attention to contemporary art 'in much the same way as the Booker Prize has helped the novel', Turner Prize has both reflected and informed the popular reception of new British art in this country and abroad. Each year a specialist jury has shortlisted some of the most important artists working today, causing annual controversy and debate. The book features a transcribed discussion between Mark Lawson, Grayson Perry (Turner Prize winner 2003), and Lionel Shriver (Orange Prize winner 2005), who consider the effect prizes have on those shortlisted and the winners, for whom it can be both a catalyst to international success and a hinderance to creativity. In addition, a series of artists' statements from a selection of Turner Prize nominees and winners from 1984-2006 lend further insight in to the role the Turner Prize has played since its inauguration.With essays from leading writers and critics including Louisa Buck, Michael Bracewell, Tom Morton and Sacha Craddock the publication considers why prizes are now a core part of contemporary culture, why excellence is celebrated in this way and the impact it has on our view of the artists and their work. N° de réf. du vendeur LU-9781854377425
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