Susan Hiller was born in the United States in 1940. Rather than attending art school she studied anthropology, moving to London in the early 1960s where she became an artist. Employing a wide variety of media, Hiller has done much in recent decades to redefine what a work of art can be. Much of her work is centred on the subconscious mind and ideas of the paranormal present in cultures around the world. Specific works have investigated auras, extra sensory perception, close encounters, dreams and automatic writing. Many are large-scale installations, variously employing film, audio, video and projection. She makes use of found material, ranging from overlooked aspects of popular culture like wallpaper and postcards, to audio interviews with members of the public. Comprehensive and extensively illustrated, this book will cover Hiller's entire career. It will include an introductory essay by Tate curator Ann Gallagher; a conversation between the critics Guy Brett, Yves-Alan Bois and the artist; and, fresh perspectives on her work from Jorg Heiser, Alexandra Kokoli and Jan Verwoert. Also reprinting key, previously published responses to Hiller by critics, this will be the most thorough and up to date survey of this extraordinary artist yet published.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ann Gallagher is head of collections (British Art) at Tate. Yves-Alain Bois is a professor at the Institute for Advanced Studies, Princeton, New Jersey. Guy Brett is a London-based art critic, curator, and lecturer on art. Joerg Heiser is coeditor of Frieze magazine. Alexandra Kokoli is a lecturer in critical and contextual studies at Gray's School of Art. Jan Verwoert is a freelance writer and art critic.
Susan Hiller was born in the United States in 1940. Rather than attending art school she studied anthropology, moving to London in the early 1960s where she became an artist. Employing a wide variety of media, Hiller has done much in recent decades to redefine what a work of art can be. Much of her work is centred on the subconscious mind and ideas of the paranormal present in cultures around the world. Specific works have investigated auras, extra sensory perception, close encounters, dreams and automatic writing. Many are large-scale installations, variously employing film, audio, video and projection. She makes use of found material, ranging from overlooked aspects of popular culture like wallpaper and postcards, to audio interviews with members of the public. Comprehensive and extensively illustrated, this book will cover Hiller's entire career. It will include an introductory essay by Tate curator Ann Gallagher; a conversation between the critics Guy Brett, Yves-Alan Bois and the artist; and, fresh perspectives on her work from Jorg Heiser, Alexandra Kokoli and Jan Verwoert. Also reprinting key, previously published responses to Hiller by critics, this will be the most thorough and up to date survey of this extraordinary artist yet published.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. 191 pages, colour illustrations; 28 cm. Catalogue published on the occasion of the exhibition Susan Hiller at the Tate Britain, 1 February to 15 May 2011. Firm binding, clean inside copy. Profusely illustrated. *** "This book is the most thorough and up-to-date survey of the work of Susan Hiller, one of most influential artists of her generation. Moving fluidly between film, audio, video, and projection, and drawing on found materials such as wallpaper, postcards, and audio interviews, Hiller's large-scale installations have done much in recent decades to redefine what a work of art can be. Much of her work is centered on the subconscious mind and ideas of the paranormal, exploring close encounters, automatic writing, and extrasensory perception, among other subjects. This enthralling survey of her entire career, published to accompany a major Tate exhibition, includes a conversation between the critics Guy Brett and Yves-Alan Bois, and the artist. / Ann Gallagher is head of collections (British Art) at Tate. Yves-Alain Bois is a professor at the Institute for Advanced Studies, Princeton, New Jersey. Guy Brett is a London-based art critic, curator, and lecturer on art. J rg Heiser is coeditor of Frieze magazine. Alexandra Kokoli is a lecturer in critical and contextual studies at Grays School of Art. Jan Verwoert is a freelance writer and art critic." - Publisher. *** CONTENTS: Shape shifting, by Ann Gallagher; Retrievals, by Susan Hiller, Yve-Alain Bois and Guy Brett; Key works, 1970-2010; Messages suppressed by culture do not cease to exist, by Jorg Heiser; Moving sideways and other 'sleeping metaphors': Susan Hiller's paraconceptualism, by Alexandra M. Kokoli; Science and sentience, by Jan Verwoert. Size: 4to. Collectible. N° de réf. du vendeur 104225
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