Articles liés à Pre-Raphaelite Sisters

9781855147270: Pre-Raphaelite Sisters
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ISBN 10 : 1855147270 ISBN 13 : 9781855147270
Editeur : National Portrait Gallery Publications, 2019

Synopsis

When the Pre-Raphaelite Brotherhood (the ‘PRB’) exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the ‘Young Painters of England’, this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.

Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century?

Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, whileothers were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making –the fine crafts that formed a supportive tier for the ‘higher’ arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Jan Marshis: a writer whose books include The Pre-Raphaelite Circle, Pre-Raphaelite Sisterhood and Black Victorians. She has published biographies of Elizabeth Siddal, Christina and Dante Gabriel Rossetti and May Morris, and has co-edited The Collected Letters of Jane Morris.

Peter Funnellis a former curator at the National Portrait Gallery, London; Charlotte Gereis a curator and co-author of Pre-Raphaelite to Arts and Crafts Jewellery; Pamela Gerrish Nunn is the author of A Pre-Raphaelite Journey: The Art of Eleanor Fortescue-Brickdale; Alison Smith is Chief Curator at the National Portrait Gallery, London,and curated the exhibition Pre-Raphaelites: Victorian Avant-Gardeat, Tate Britain.

À propos de la quatrième de couverture

When the Pre-Raphaelite Brotherhood (the ‘PRB’) exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the ‘Young Painters of England’, this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.

Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century?

Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, whileothers were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making –the fine crafts that formed a supportive tier for the ‘higher’ arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
National Portrait Gallery Publications
Date d'édition
2019
Langue
anglais
ISBN 10 
1855147270
ISBN 13 
9781855147270
Reliure
Relié
Nombre de pages
208
Coordonnées du fabricant
non disponible
Personne responsable
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Pärnu mnt 139b-14
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11317
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