Hodgkin’s art can be seen as providing memorials for people, many of whom are friends, whose absence is countered by th e corresponding physical presence of particular paintings. Descriptive elements visible in his earlier portraits from the 1950s are subsumed within paintings that have, over the course of more than fifty years, become more psychologically charged, but no l ess connected with evoking specific individuals in particular situations. This book, like the exhibition it accompanies, surveys the development of Hodgkin’s portraiture from its beginnings in 1949 to the present, including new paintings. Comprising key works from a range of international public and private collections, it traces the evolution of the artist’s visual language and his engagement with a range of friends and others within the artist’s circle. Exhibition curator Paul Moorhouse provides a compe lling introduction to Hodgkin’s portraits, his subjects, working methods, the role of memory, and his distinctive approach to representing people. Peter Blake, Stephen Buckley, Patrick Caulfield, David Hockney, Philip King, R . B . Kitaj and Richard Smith are among the many leading artists portrayed, so that the British art world emerges as the wider subject of Hodgkin’s art. The book also contains a fully illustrated chronology and commentaries on individual work
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Howard Hodgkin (born 1932) is internationally recognized as one of Britain's leading painters. Hodgkin was awarded the Turner Prize in 1985, a year after representing Great Britain at the Venice Biennale. Solo exhibitions of his work have been held in Europe and the United States, including major retrospectives at The Modern Art Museum of Fort Worth, Texas, The Metropolitan Museum of Art, New York, and Tate Britain, London.
Hodgkin’s art can be seen as providing memorials for people, many of whom are friends, whose absence is countered by th e corresponding physical presence of particular paintings. Descriptive elements visible in his earlier portraits from the 1950s are subsumed within paintings that have, over the course of more than fifty years, become more psychologically charged, but no l ess connected with evoking specific individuals in particular situations. This book, like the exhibition it accompanies, surveys the development of Hodgkin’s portraiture from its beginnings in 1949 to the present, including new paintings. Comprising key works from a range of international public and private collections, it traces the evolution of the artist’s visual language and his engagement with a range of friends and others within the artist’s circle. Exhibition curator Paul Moorhouse provides a compe lling introduction to Hodgkin’s portraits, his subjects, working methods, the role of memory, and his distinctive approach to representing people. Peter Blake, Stephen Buckley, Patrick Caulfield, David Hockney, Philip King, R . B . Kitaj and Richard Smith are among the many leading artists portrayed, so that the British art world emerges as the wider subject of Hodgkin’s art. The book also contains a fully illustrated chronology and commentaries on individual work
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
EUR 20,16 expédition depuis Royaume-Uni vers France
Destinations, frais et délaisVendeur : Quinto Bookshop, London, Royaume-Uni
Hardcover. Etat : Near Fine. 1st Edition. First edition; first printing. Portrait 4to. Pictorial hard covers. No dust jacket as issued. 216pp. Slight chip/dent to lower spine edge. Otherwise fine. *** Published to accompany the exhibition Howard Hodgkin: Absent Friends at the National Portrait Gallery. Retrospective of Howard Hodgkin's portraits. ("Portraits" used in the widest sense possible.). N° de réf. du vendeur 900502
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Vendeur : David's Bookshop, Letchworth BA, Letchworth Garden City, HERTS, Royaume-Uni
Hardcover. Etat : Fine. No Jacket. A fine new unblemished book. N° de réf. du vendeur 038841
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR008541042
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Vendeur : Minster Gate Bookshop (est. 1970), YORK, Royaume-Uni
Etat : Near Fine. 4to.,pp. 216, pictorial hardcover, colour illustrations and frontispiece; a near-fine copy. No dust-jacket. N° de réf. du vendeur 39824
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Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardback. Etat : Near fine. First Edition. 26 x 29cm 216pp near fine hardback exhibition catalogue with contents including chapters on: 'Anbstraction 1960-7', 'Rethinking Portraiture, 1966-76', 'Psychological Space, 1974-5', 'Portraits of the artist and friends, 1983-93', 'Portraits as a gesture, 2008-14'. Single page colour reproductions show the lush, Hodgkinian palette. N° de réf. du vendeur 28448
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. N° de réf. du vendeur M1855147556Z4
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Vendeur : Royal Books, Inc., ABAA, Baltimore, MD, Etats-Unis
Hardcover. First UK Edition. Published in conjunction with an exhibition which ran from March 23 through June 18, 2017, at the National Portrait Gallery in London. Very Good plus, with no dust jacket as issued. Cocked, with spine ends lightly bumped. N° de réf. du vendeur 167341
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