Impressionist and Post-Impressionist masterpieces from the Courtauld Gallery are brought together at the National Gallery with paintings from both collections by Paul Cézanne, Edgar Degas, Paul Gauguin, Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Georges Seurat, and Henri de Toulouse-Lautrec.
The authors discuss iconic paintings, such as Manet’s A Bar at the Folies-Bergère and Cézanne’s Card Players, and explore the fascinating story of the formation of the Courtauld collection. For its founder, the industrialist Samuel Courtauld, it was a deeply felt and personal lifelong ambition that these great pictures should be seen and enjoyed by the widest possible public, and his creation of a £50,000 purchase fund for the Tate and the National Gallery helped to lay the foundations of Britain’s national collections of Impressionist and Post-Impressionist art.
Published by National Gallery Company/Distributed by Yale University Press
Exhibition Schedule:
National Gallery, London
(09/17/18–01/20/19)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anne Robbins is associate curator of post-1800 paintings and Caroline Campbell is director of collections, both at the National Gallery, London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Impressionist and Post-Impressionist masterpieces from the Courtauld Gallery are brought together at the National Gallery with paintings from both collections by Paul Cezanne, Edgar Degas,Paul Gauguin, Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Georges Seurat, and Henri de Toulouse-Lautrec. The authors discuss iconic paintings, such as Manets A Bar at the Folies-Bergere and Cezannes Card Players, and explore the fascinating story of the formation of the Courtauld collection. For its founder, the industrialist Samuel Courtauld, it was a deeply felt and personal lifelong ambition that these great pictures should be seen and enjoyed by the widest possible public,and his creation of a 50,000 purchase fund for the Tate and the National Gallery helped to lay the foundations of Britains national collections of Impressionist and Post-Impressionist art.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (09/17/1801/20/19). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR009567225
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