Bamforth offers sharply observed portraits of some of the thinkers who have shaped the continent from Rousseau to Kafka.
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Iain Bamforth is a doctor, scientific translator, and a contributor to PN Review, Times Literary Supplement and New York Times Book Review. He received a Scottish Arts Council Book Award in 1992 for his collection of poems, Sons and Pioneers. He is the author of The Body in the Library.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : St Vincent de Paul of Lane County, Eugene, OR, Etats-Unis
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Paperback. Etat : new. Paperback. Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be 'good Europeans', avatars of the enlightened economic man of the eighteenth-century. Yetas R. G. Collingwood observed in his last great inquiry into the nature of civilisation, Nietzsche was himself a victim of the disease he diagnosed. In The Good European Iain Bamforth reports on fifteen years of 'experimental living' during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe, a region whose divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels. He offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, W. G. Sebald and Mavis Gallant.He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show Bouillon de Culture, a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial. Here, a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe. Featuring the theme of Europe, this book of essays reports on fifteen years of "experimental living" in Berlin and Strasburg, amongst other places. This book provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show "Bouillon de Culture", and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781857547658
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be 'good Europeans', avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In The Good European Iain Bamforth's reports on fifteen years of 'experimental living' during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in Tristram Shandy. Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show Bouillon de Culture, a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe. N° de réf. du vendeur LU-9781857547658
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be 'good Europeans', avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In The Good European Iain Bamforth's reports on fifteen years of 'experimental living' during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in Tristram Shandy. Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show Bouillon de Culture, a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe. N° de réf. du vendeur LU-9781857547658
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Etat : New. pp. 244. N° de réf. du vendeur 58024845
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Etat : New. Brand New. N° de réf. du vendeur 9781857547658
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 317 pages. 8.50x5.25x1.00 inches. In Stock. N° de réf. du vendeur __1857547659
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