"In his analysis of Brecht, Jameson forgoes the sort of chronological representation of Brecht in his various 'stages' (the early Brecht, the political Brecht, the mature Brecht) that characterizes most analyses of his work and instead asks that we recognize the various layers of history, overlapping in time, not space, which ultimately constitute who we understand as 'Brecht.'"-The Bookpress
"Jameson puts demands on the reader, requiring great effort just to keep up, but those who apply themselves will come away with new admiration for Brecht as artist and as thinker. Recommended."-Choice
"It is a rich book, one that strikes out in many different directions at once ... perhaps the secret of Jameson's greatness, like Brecht's, is that he doesn't adhere to his method too strictly."-In These Times
"This book contains a highly recommendable, elegant dissection of Brecht's method, from estrangements to allegory and beyond."-Modern Drama
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fredric Jameson (14/04/34 - 22/09/24) was Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital
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