Compared to the 1960s, the 1970s is a neglected decade. This is a history of radical political art in Britain during the 1970s, art that sought to re-establish a social purpose. It argues that what was unique about the visual fine art of the decade was the impact of left-wing politics, women's liberation and the gay movement. Artists discussed include: Rashid Araeen, Conrad and Terry Atkinson, Joseph Beuys, Derek Boshier, Stuart Brisley, Victor Burgin, John Drugger, Gilbert and George, Margaret Harrison, Derek Jarman, John Latham, Mary Kelly, Bruce McLean, David Madalla, Jamie Reid, Jo Spence, John Stezaker and Stephen Willats who responded to the historical events of a period marked by economic and political crises. A wide variety of art forms is covered: banners, drawing, film, community murals, painting, performance, photography, photomontage, posters, sculpture and video. Many radical artists challenged prevailing art institutions, such as the Arts Council, often establishing alternatives, like the Artist's Union. The book, which is set out on a year-by-year basis, also examines key conferences, exhibitions, galleries, magazines, organizations and critics; art theory and the various views of artists and critics meant that the 1970s was a decade of intellectual ferment.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John A. Walker was Reader in Art and Design History at Middlesex University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Sell Books, Elland, YORKS, Royaume-Uni
paperback. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. N° de réf. du vendeur SBAB-mon0000079378
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 294 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur LeWaI.35
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781860647666. N° de réf. du vendeur 4963276
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Compared to the 1960s, the 1970s is a neglected decade. This is a history of radical political art in Britain during the 1970s, art that sought to re-establish a social purpose. It argues that what was unique about the visual fine art of the decade was the impact of left-wing politics, women's liberation and the gay movement. Artists discussed include: Rashid Araeen, Conrad and Terry Atkinson, Joseph Beuys, Derek Boshier, Stuart Brisley, Victor Burgin, John Drugger, Gilbert and George, Margaret Harrison, Derek Jarman, John Latham, Mary Kelly, Bruce McLean, David Madalla, Jamie Reid, Jo Spence, John Stezaker and Stephen Willats who responded to the historical events of a period marked by economic and political crises. A wide variety of art forms is covered: banners, drawing, film, community murals, painting, performance, photography, photomontage, posters, sculpture and video. Many radical artists challenged prevailing art institutions, such as the Arts Council, often establishing alternatives, like the Artist's Union.The book, which is set out on a year-by-year basis, also examines key conferences, exhibitions, galleries, magazines, organizations and critics; art theory and the various views of artists and critics meant that the 1970s was a decade of intellectual ferment. N° de réf. du vendeur LU-9781860647666
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Paperback. Etat : Fine. Octavo, ix, 290 pages. Looks unused, a Fine copy. N° de réf. du vendeur 102345
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Compared to the 1960s, the 1970s is a neglected decade. This is a history of radical political art in Britain during the 1970s, art that sought to re-establish a social purpose. It argues that what was unique about the visual fine art of the decade was the impact of left-wing politics, women's liberation and the gay movement. Artists discussed include: Rashid Araeen, Conrad and Terry Atkinson, Joseph Beuys, Derek Boshier, Stuart Brisley, Victor Burgin, John Drugger, Gilbert and George, Margaret Harrison, Derek Jarman, John Latham, Mary Kelly, Bruce McLean, David Madalla, Jamie Reid, Jo Spence, John Stezaker and Stephen Willats who responded to the historical events of a period marked by economic and political crises. A wide variety of art forms is covered: banners, drawing, film, community murals, painting, performance, photography, photomontage, posters, sculpture and video. Many radical artists challenged prevailing art institutions, such as the Arts Council, often establishing alternatives, like the Artist's Union.The book, which is set out on a year-by-year basis, also examines key conferences, exhibitions, galleries, magazines, organizations and critics; art theory and the various views of artists and critics meant that the 1970s was a decade of intellectual ferment. This title re-creates a time when visual arts, under the impact of left-wing politics, women's liberation and the gay movement, were seeking to re-establish a social purpose. It is the story of a struggle for art contending factions in the art world. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781860647666
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Vendeur : The Deva Bookshop, Holt, Royaume-Uni
Paperback. Etat : As New. No Jacket. N° de réf. du vendeur 205926
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9781860647666_new
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