This text provides a new reading of Goya, concentrating on the closing years of the 18th century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the "Caprichos", which offered a personal vision of the "world turned upside down".
This intriguing book on Goya concentrates on the closing years of the eighteenth century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the Caprichos, which off
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Victor I. Stoichita is professor of modern and contemporary art history at the University of Fribourg, Switzerland.
This text provides a new reading of Goya, concentrating on the closing years of the 18th century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the "Caprichos", which offered a personal vision of the "world turned upside down".
This intriguing book on Goya concentrates on the closing years of the eighteenth century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the Caprichos, which off
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. This intriguing book on Goya concentrates on the closing years of the eighteenth century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the Caprichos, which offered a personal vision of the world turned upside down. Victor I. Stoichita and Anna Maria Coderch consider how themes of Revolution and Carnival (both seen as inversions of the established order) were obsessions in Spanish culture in this period, and make provocative connections between the close of the 1700s and the approaching end of the Millennium. Particular emphasis is placed on the artist's links to the underground tradition of the grotesque, the ugly and the violent. Goya's drawings, considered as a personal and secret laboratory, are foregrounded in a study that also reinterprets his paintings and engravings in the cultural context of his time. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001854801
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