From its beginnings in the seventeenth century, the Baroque embraced the whole of Catholic Europe and infiltrated Protestant England, Orthodox Russia and even Muslim Turkey. Architecture, paintings, poetry, music, natural science and new forms of piety all have their places on the Baroque map. In this surprising reinterpretation of the Baroque, Robert Harbison offers new readings that stress its eccentric and tumultuous forms, in which a destabilized sense of reality is often projected onto the viewer. This strange, subjectively inclined world is manifested in such bizarre phenomena as the small stuccoed universes of Giacomo Serpotta, the Sacred Mounts of Piedmont and the grimacing heads of F. X. Messerschmidt.Harbison explores the Baroque's metamorphoses into later styles, particularly the Rococo, and, in an unexpected twist, pursues the Baroque idea into the nineteenth and twentieth centuries, proposing provocative analyses of pastiches or imitations (in Der Rosenkavalier and the work of Aubrey Beardsley) or resemblances (deliberate or not) in Czech Cubism and Frank Gehry's architecture. Reflections on Baroque demonstrates that the Baroque impulse lives on in the twenty-first century imagination.
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Robert Harbison is former Professor of Architecture at London Metropolitan University. He is the author of many books including Eccentric Spaces (1977), The Built, the Unbuilt and the Unbuildable (1991), Reflections on Baroque (Reaktion, 2000), Travels in the History of Architecture (Reaktion, 2010) and Ruins and Fragments: Tales of Loss and Rediscovery (Reaktion, 2015).
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Vendeur : MW Books, New York, NY, Etats-Unis
1st edition. Fine cloth copy in an equally fine dust-wrapper. Previous owner's paper note glued to the front free endpaper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; x, 259 pp., illustrations. Notes; Includes bibliographical references and index. Contents; Reflections on Baroque Cover; Imprint page; Contents; Contents (ii); Foreword; I. The Case for Disruption; II. Tormented Vision; III. The View from Above; IV. The End of Heroism; V. The World of Scenery; VI. Baroque Nature; VII. Colonial Baroque; VIII. Neo and Pseudo Baroque; IX. Baroque in the Twentieth Century; Notes; Acknowledgements; Photographic Acknowledgments; Index.Subjects; Arts, Baroque. Civilization. Fine Arts. Art, Modern 17th-18th centuries. 3 Kg. N° de réf. du vendeur 384529
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy with clean and unmarked contents and in a well preserved pictorial dust jacket. Illustrated, x + 260pp. N° de réf. du vendeur 297774
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Vendeur : MW Books Ltd., Galway, Irlande
1st edition. Fine cloth copy in an equally fine dust-wrapper. Previous owner's paper note glued to the front free endpaper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; x, 259 pp., illustrations. Notes; Includes bibliographical references and index. Contents; Reflections on Baroque Cover; Imprint page; Contents; Contents (ii); Foreword; I. The Case for Disruption; II. Tormented Vision; III. The View from Above; IV. The End of Heroism; V. The World of Scenery; VI. Baroque Nature; VII. Colonial Baroque; VIII. Neo and Pseudo Baroque; IX. Baroque in the Twentieth Century; Notes; Acknowledgements; Photographic Acknowledgments; Index.Subjects; Arts, Baroque. Civilization. Fine Arts. Art, Modern 17th-18th centuries. 1 Kg. N° de réf. du vendeur 384529
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Vendeur : Book Express (NZ), Shannon, Nouvelle-Zélande
Hardcover. Etat : Very Good. 280 pages. In this reinterpretation of the Baroque, Robert Harbison offers new readings that stress its eccentric and tumultuous forms, in which a destabilized sense o f reality is often projected onto the viewer. This strange, subjectively incline. N° de réf. du vendeur 5561i
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