How can language contain the world that spills From its torn rinds, how can my ode hold On to language that ejects itself like birdsong From pine trees still shady with dawn . . . ‘To Mount Victoria’, The Commonplace Odes Ian Wedde has been a major presence in New Zealand poetry since his work began appearing in journals in the late 1960s. His first book of poetry appeared in 1971; his sixth book won the New Zealand Book Award for Poetry in 1978; his sixteenth and most recent was a finalist in 2014. By the mid-1980s, as well as shaping his own verse, he had become an influential critic and shaper of larger trends in poetry as one of the co-editors of The Penguin Book of New Zealand Verse (1985) and The Penguin Book of contemporary New Zealand Poetry – Ngā Kupu Tītohu o Aotearoa (1989). After a quiet spell in the mid- to late 1990s came the much celebrated The Commonplace Odes in 2001, in which Wedde offered the Horatian/Keatsian ode as transformative a moment as Baxter had given the sonnet back in 1970. Three excellent books followed, most recently The Lifeguard: Poems 2008–2013, published at the end of his tenure as New Zealand Poet Laureate. While Wedde has constantly experimented with and pushed boundaries of form and influence in his poetry, his work returns often to key themes and ideas, preoccupations and effects that this book throws into brilliant relief: a politics of language, social and ecological relationships, how memory works, the perceptual world. The son Carlos of Earthly: Sonnets for Carlos (1975) is now a father himself; Ian Wedde’s poems are now more likely to feature grandchildren. But the ranging, tenacious, conceptual-romantic poet, with his linguistically rich but intellectually rigorous voice, is the same, and tracing that voice through nearly five decades will be one of the many pleasures readers take from this book.
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John Reynolds has featured in many key exhibitions and publications on contemporary New Zealand art. He has shown widely throughout the country, and been commissioned to produce projects for a wide range of New Zealand galleries, and the National Art Gallery of New South Wales (Sydney Biennale, 2006) becoming known as one of New Zealand's foremost painters and printmakers. Ian Wedde is the author of sixteen collections of poetry, seven novels, two collections of essays, a collection of short stories, a monograph on the artist Bill Culbert, several art catalogs, a memoir, and has been co-editor of two poetry anthologies.
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Paperback. Etat : new. Reynolds, John (illustrateur). Paperback. How can language contain the world that spillsFrom its torn rinds, how can my ode holdOn to language that ejects itself like birdsongFrom pine trees still shady with dawn .'To Mount Victoria', The Commonplace OdesIan Wedde has been a major presence in New Zealand poetry since his work began appearing in journals in the late 1960s. His first book of poetry appeared in 1971; his sixth book won the New Zealand Book Award for Poetry in 1978; his sixteenth and most recent was a finalist in 2014. By the mid-1980s, as well as shaping his own verse, he had become an influential critic and shaper of larger trends in poetry as one of the co-editors of The Penguin Book of New Zealand Verse (1985) and The Penguin Book of Contemporary New Zealand Poetry - Ng? Kupu T?tohu o Aotearoa (1989). After a quiet spell in the mid- to late 1990s came the much celebrated The Commonplace Odes in 2001, in which Wedde offered the Horatian/Keatsian ode as transformative a moment as Baxter had given the sonnet back in 1970. Three excellent books followed, most recently The Lifeguard: Poems 2008-2013, published at the end of his tenure as New Zealand Poet Laureate. While Wedde has constantly experimented with and pushed boundaries of form and influence in his poetry, his work returns often to key themes and ideas, preoccupations and effects that this book throws into brilliant relief: a politics of language, social and ecological relationships, how memory works, the perceptual world. The son Carlos of Earthly: Sonnets for Carlos (1975) is now a father himself; Ian Wedde's poems are now more likely to feature grandchildren. But the ranging, tenacious, conceptual-romantic poet, with his linguistically rich but intellectually rigorous voice, is the same, and tracing that voice through nearly five decades will be one of the many pleasures readers take from this book.With selections from 1971's Homage to Matisse all the way through to 2013's The Lifeguard, Ian Wedde's Selected Poems will introduce readers new and old to one of New Zealand's most distinguished contemporary poets. With selections from 1971s Homage to Matisse all the way through to 2013s The Lifeguard, Ian Weddes Selected Poems introduces readers new and old to one of New Zealands most distinguished contemporary poets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781869408596
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Paperback. Etat : New. Reynolds, John (illustrateur). How can language contain the world that spills From its torn rinds, how can my ode hold On to language that ejects itself like birdsong From pine trees still shady with dawn . . . 'To Mount Victoria', The Commonplace Odes Ian Wedde has been a major presence in New Zealand poetry since his work began appearing in journals in the late 1960s. His first book of poetry appeared in 1971; his sixth book won the New Zealand Book Award for Poetry in 1978; his sixteenth and most recent was a finalist in 2014. By the mid-1980s, as well as shaping his own verse, he had become an influential critic and shaper of larger trends in poetry as one of the co-editors of The Penguin Book of New Zealand Verse (1985) and The Penguin Book of contemporary New Zealand Poetry - Nga Kupu Titohu o Aotearoa (1989). After a quiet spell in the mid- to late 1990s came the much celebrated The Commonplace Odes in 2001, in which Wedde offered the Horatian/Keatsian ode as transformative a moment as Baxter had given the sonnet back in 1970. Three excellent books followed, most recently The Lifeguard: Poems 2008-2013, published at the end of his tenure as New Zealand Poet Laureate. While Wedde has constantly experimented with and pushed boundaries of form and influence in his poetry, his work returns often to key themes and ideas, preoccupations and effects that this book throws into brilliant relief: a politics of language, social and ecological relationships, how memory works, the perceptual world. The son Carlos of Earthly: Sonnets for Carlos (1975) is now a father himself; Ian Wedde's poems are now more likely to feature grandchildren. But the ranging, tenacious, conceptual-romantic poet, with his linguistically rich but intellectually rigorous voice, is the same, and tracing that voice through nearly five decades will be one of the many pleasures readers take from this book. N° de réf. du vendeur LU-9781869408596
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