In this remarkable study by the late Francis Pound, author of the landmark Invention of New Zealand, we are introduced to the making of a New Zealand modernist – tracing the work of Gordon Walters (1919–1995) from student charcoal sketches in the 1930s to the revelation of the mature Koru works at the 1966 New Vision Gallery exhibition in Auckland.
Pound follows Walters through steps and missteps, explorations and diversions, travel in Aotearoa and overseas, as the artist discovers new forms, invents others and discards many more. Pound looks hard at the paint, the brushes, the rulers, the scrapbooks, to reveal an artist at work. And, resolutely internationalist like the artist, the Author provides not only astute insights into Walters’ art, but also a guide to the elements and ideas that informed the work – notably, Māori and Pacific art, surrealism, Mondrian, De Stijl, the Bauhaus and Euro-American abstraction, conceptual art and minimalism.
With Francis Pound accompanying us through the work as guide, critic, wit and enthusiast, Gordon Walters is an extraordinary journey into twentieth-century art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Among other works, he is author of Colonial Constructs: European Images of Maori 1840- 1914 (1992), Marti Friedlander (2009), Strangers Arrive: Emigré s and the Arts in New Zealand, 1930- 1980 (2017) and Marti Friedlander: Portraits of the Artists (2020), all published by Auckland University Press. He taught for some years in the art history department of the University of Auckland before becoming an independent art curator and writer. His books include Frames on the Land: Early Landscape Painting in New Zealand (Collins, 1983), The Space Between: Pakeha Use of Maori Motifs in Modernist New Zealand Art (Workshop Press, 1994), Stories We Tell Ourselves: The Paintings of Richard Killeen (Auckland Art Gallery and David Bateman, 1999), Walters: En Abyme (Gus Fisher Gallery, 2004) and The Invention of New Zealand: Art & National Identity, 1930- 1970 (Auckland University Press, 2009).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In this remarkable study by the late Francis Pound, author of the landmark Invention of New Zealand, we are introduced to the making of a New Zealand modernist - tracing the work of Gordon Walters (1919-1995) from student charcoal sketches in the 1930s to the revelation of the mature Koru works at the 1966 New Vision Gallery exhibition in Auckland. Pound follows Walters through steps and missteps, explorations and diversions, travel in Aotearoa and overseas, as the artist discovers new forms, invents others and discards many more. Pound looks hard at the paint, the brushes, the rulers, the scrapbooks, to reveal an artist at work. And, resolutely internationalist like the artist, the author provides not only astute insights into Walters' art, but also a guide to the elements and ideas that informed the work - notably, Maori and Pacific art, surrealism, Mondrian, De Stijl, the Bauhaus and Euro-American abstraction, conceptual art and minimalism. With Francis Pound accompanying us through the work as guide, critic, wit and enthusiast, Gordon Walters is an extraordinary journey into twentieth-century art. The first substantial monograph on the art of one of this countrys most influential artists, Gordon Walters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781869409531
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Cloth. Etat : Near Fine. Etat de la jaquette : Near Fine. 462 pages 436 illustrations. Several bumps to the base and corners. Foreword and Afterword by Leonard Bell. Select Bibliography. Book. N° de réf. du vendeur 027812
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Hardback. Etat : Very Good. In this remarkable study by the late Francis Pound, author of the landmark The Invention of New Zealand: Art and National Identity, 1930-1970 (2009), we are introduced to the making of a New Zealand modernist - tracing the work of Gordon Walters (1919-1995) - from student charcoal sketches to the mature Koru works. Pound looks hard at the paint, the brushes, the rulers, the scrapbooks, and the travels to reveal an artist at work. Resolutely internationalist like the artist, Pound provides not only astute insights into Walters' art but also a guide to the elements and ideas that informed the work - notably, Maori and Pacific art, surrealism, Mondrian, De Stijl, the Bauhaus and Euro-American abstraction, conceptual art and minimalism. Pound's study Gordon Walters is accompanied by a foreword and afterword by art and cultural historian Leonard Bell. DJ; Heavy; Large. Very large and heavy so extra postage may be needed. 464 pages. N° de réf. du vendeur 1602748
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