This book explores the friendship, from the mid nineteen twenties, between the playwright and poet Bertold Brecht and the critic Walter Benjamin. It considers this relationship for what it meant for each of them personally, for their lives as writers, and for the effect it had on their other friendships. This last was significant for Benjamin because two of his closest admirers and important patrons - Gershom Scholem (in Jerusalem) and Theodor Adorno - tended to be hostile towards Brecht, concerned about his political influence. In fact, Benjamin and Brecht are often seen here together at a time of impending and actual political crisis, and are shown to form part of a distinguished constellation of writers and artists in Weimar Germany, including Adorno himself, Hannah Arendt, Ernst Bloch, Karl Korsch, Siegfried Kracauer, and Klaus Mann. The author presents and considers Benjamin's published and unpublished critical work on Brecht's poetry, plays and novels; he also considers Brecht's views on Benjamin (including his Baudelaire and Kafka studies). The book also gives the first account of the Berlin Marxist journal planned for 1931, to be called 'Crisis and Criticism'. The minutes of its meetings record the involvement of Benjamin and Brecht, and give some idea of the discussions on literature and politics which took place under the increasing threat of the German left's political defeat. Using unpublished material, including correspondence, the author sets the public lives of the two men, amongst their political friends and comrades, in the context of their private lives. This often includes the women who surrounded Brecht, including his wife Helene Weigel, whom Benjamin also knew. This other, minor constellation centred on the Brechts' family home in Denmark, where Benjamin spent many weeks, playing chess with Brecht and others, and card and board games with Brecht's children. It provides another, more informal, context for observing the two men whose mutual regard and affection surprised some people, was never fully accepted by others, and yet is important for a proper understanding of both. With 16 brilliant halftone photographs, a detailed chronology, a map and time chart, and annotated index.
'Wizisla's brilliant study of the complex and controversial intellectual relationship between Walter Benjamin and Bertold Brecht will be the standard work on this subject for years to come. It blows away the dusty cliches that have so far passed for scholarship in this area, thanks to Wizisla's unsurpassed knowledge of previously unpublished documents and archive materials... Lucidly and accessibly written, this book is essential reading not only for Brecht and Benjamin specialists, but for all those interested in this crucial phase of twentieth century cultural history.' --Steve Giles, Emeritus Professor of German Studies and Critical Theory, University of Nottingham
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Hardcover. Etat : new. Hardcover. Tells of the relationship between Benjamin, the critic, and Brecht, the poet/playwright, its effect on their lives and work, and on their other acquaintances. Tells of the relationship between Benjamin, the critic, and Brecht, the poet/playwright, its effect on their lives and work, and on their other acquaintances. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781870352178
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