Présentation de l'éditeur :
s are indispensable, and I am not without hope that the sense of secure advancement, and the pleasure of independent effort, may render the following out of even the more tedious exercises here proposed, possible to the solitary learner, without weariness. But if it should be otherwise, and he finds the first steps painfully irksome, I can only desire him to consider whether the acquirement of so great a power as that of pictorial expression of thought be not worth some toil; or whether it is likely, in the natural order of matters in this working world, that so great a gift should be attainable by those who will give no price for it. xii. One task, however, of some difficulty, the student will find I have not imposed upon him: namely, learning the laws of perspective. It would be worth while to learn them, if he could do so easily; but without a master's help, and in the way perspective is at present explained in treatises, the difficulty is greater than the gain. For perspective is not of the slighte
Présentation de l'éditeur :
John Ruskin shaped generations of artists, art critics and historians' understanding of how art works. He was the preeminent critic of his time, and a fine artist in his own right. In The Elements of Drawing, Ruskin explains how to draw and how to look at the drawings of others, in a wonderful primer on line, tone, weight, color, and composition. Fully illustrated by the author, to demonstrate the techniques he describes, The Elements of Drawing was and is one of the all-time classics in art and art history. This edition is a facsimile reproduction of the original 1857 work, with all Ruskin's original art included, as well as his comprehensive list of resources and works any young artist should study.
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