This fully illustrated publication accompanies the Americas Society exhibition Lilia Carrillo: Ruptures and Premonitions on view May 13 through August 01, 2026. Curated by Tobias Ostrander, Lilia Carrillo: Ruptures and Premonitions presents a selection of the artist’s paintings from 1961, the year her aesthetic language was consolidated, to 1974, the year of her premature death. The ruptures shaping the presentation include both Carrillo’s association with the Generación de la Ruptura, and her formal interests that challenge the stability of the picture plane and emphasize the physicality of the painted surface. The exhibition will survey the artist’s disruptive gestures of building up thick surfaces that she then carved or scratched into, integrating collaged fabrics or paper fragments into her canvases, smudging her compositions, and using brushes of diverse sizes and other tools to apply and disperse her pigments. Lilia Carrillo (b. 1930, Mexico City) was a central figure within the group of postwar Mexican painters known as the Generación de la Ruptura (the Rupture Generation), and its most prominent female contributor. Carrillo was part of a close circle of artists including her second husband Manuel Felguérez, Fernando García Ponce, Vlady, Vicente Rojo, and Juan Soriano—who all shared an interest in abstraction and entered into an international dialogue with painterly tendencies occurring in New York and Paris including Abstract Expressionism, Lyrical Abstraction, and Informalism.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 68665016-6
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 68 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur LiCaAm15
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