Ever since the early 1970s, sculptor Charles Ray's protean practice has yielded some of the most memorable objects and experiences in contemporary art, causing us to confront, as Peter Schjeldahl has written, "elegant, deadpan fabrications that flip wild switches in our minds." In 1987's "Ink Line," for example, he sent a single stream of ink flowing to the middle of a gallery's floor in a slender column; outside the 1993 Whitney Biennial he parked a massive replica of a toy fire engine. His recent work is just as alluring and unsettling: a steel sculpture of a handheld bird, a poster of an ominous pumpkin, an intricate cast aluminum sculpture of a tractor. Charles Ray surveys the work the artist has made in the past dozen years; an interview by Michael Fried and an essay by John Kelsey complement texts written about each work by Ray himself.
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Vendeur : Matthew Marks Gallery, New York, NY, Etats-Unis
Soft cover. Etat : New. 1st Edition. Essay by John Kelsey, an interview by Michael Fried, and text by Charles Ray on each work of art. Charles Ray is a catalogue of the artist s work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Fully illustrated in color throughout, the catalogue includes pieces such as Father Figure, 2007, a large-scale sculpture of a toy tractor, and a selection of works from the series of untitled flower drawings that was featured in the 2010 Whitney Biennial. Includes custom-made slipcase that was designed under the supervision of the artist. 80 pages. 35 images, 10 3/4 x 8 3/5 inches. N° de réf. du vendeur ABE-4340796080
Quantité disponible : 3 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK. N° de réf. du vendeur M1880146479Z2
Quantité disponible : 2 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M1880146479Z3
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 80 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur ChRaMa30
Quantité disponible : 1 disponible(s)
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : Used - Very Good. Ever since the early 1970s, sculptor Charles Ray's protean practice has yielded some of the most memorable objects and experiences in contemporary art, causing us to confront, as Peter Schjeldahl has written, 'elegant, deadpan fabrications that flip wild switches in our minds.' In 1987's 'Ink Line,' for example, he sent a single stream of ink flowing to the middle of a gallery's floor in a slender column; outside the 1993 Whitney Biennial he parked a massive replica of a toy fire engine. His recent work is just as alluring and unsettling: a steel sculpture of a handheld bird, a poster of an ominous pumpkin, an intricate cast aluminum sculpture of a tractor. 'Charles Ray 'surveys the work the artist has made in the past dozen years; an interview by Michael Fried and an essay by John Kelsey complement texts written about each work by Ray himself. Very nice clean, tight copy free of any marks. iN SLIPCASE. N° de réf. du vendeur 302292
Quantité disponible : 1 disponible(s)
Vendeur : GridFreed, San Diego, CA, Etats-Unis
Paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur 100-36412
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 88290
Quantité disponible : 2 disponible(s)