Wexner Center For The Arts 1999; In-8 broché 27 cm sur 20. Livre en anglais. 224 pages. Très bon état d’occasion.
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.1881390217.G
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Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_472541905
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Vendeur : Design Books, New York, NY, Etats-Unis
Soft Cover. Etat : Fine. This is a fine softcover copy with no wear at all. Completely clean and free of marks. This catalog was prepared to accompany the exhibition at the Wexner Center for the Arts, and for the Whitney Museum of American Art from January 14 to March 21, 1999. Organized by Donna De Salvo. Essays by De Salvo, Mason Klein, Wendy Steiner, Jonathan Weinberg, Sharla Sava, Lucy Lippard, William S. Wilson, and Henri Martin. Illustrated mostly in color. Chronology. Exhibition history. Bibliography. 11" high X 8" wide, 224 pages. N° de réf. du vendeur 019380
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Vendeur : Moroccobound Fine Books, IOBA, Lewis Center, OH, Etats-Unis
Soft cover. Etat : Fine. 1st Edition. 224 pp. Softcover, bound in wraps. Unmarked. N° de réf. du vendeur Bx141-x7
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Quarto. Softcover. Matte illustrated wraps. 224 pages : color illustrations ; 28 cm. In 1995, the resolutely reclusive Ray Johnson reemerged into the spotlight when he died in a mysterious and spectacular way, leading to the discovery of thousands of works of art in his house. Drawing upon this vast trove, Donna De Salvo, the Wexner Center's Curator at Large, has organized Ray Johnson: Correspondences, the first comprehensive exhibition to be mounted (with the complete cooperation of the artist's estate). Like Rauschenberg, Cy Twombly, Jasper Johns, and later Andy Warhol and Jim Rosenquist, Johnson combined the signs and symbols of contemporary culture with the lessons of abstraction to develop a new lexicon of forms. A pioneer in the use of 'found' images and techniques of mechanical reproduction, Johnson created in 1955 what may have been the first informal happening. Johnson first created 'mail art' in the fifties. These were part collage, part manifesto, part parody; he often instructed recipients to 'add to', 'return to', or 'send to', spawning an interactive art form, a continuous happening, that pre-figured electronic mail. Johnson was the nerve center of this pre-digital netscape that spread around the nation and, eventually, the world, which continues to flourish today. By the eighties, Johnson was a legend in the artistic community. Ray Johnson: correspondences, offers the first opportunity for in-depth examination of the work of an artist who reflected and dissected many of the aesthetic, cultural, and theoretical preoccupations of the last forty years; a figure whose impact and influence will finally be made known. VG. Museum sticker inside front end paper, otherwise clean and unmarked. N° de réf. du vendeur 208623
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Vendeur : Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, France
Couverture souple. Etat : Très bon état. In-8 broché 27 cm sur 20. Livre en anglais. 224 pages. Très bon état d'occasion. in-8°. N° de réf. du vendeur 72790
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Paperback. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82918813902176
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