This essay, discussing a two-part installation at Galerie des Archives in Paris by the internationally celebrated artist, Gary Hill, explores the enigmatic nature of the work of art as an object and of objects in general, as such issues pertain to Hill's work and these installations in particular. The text is by two well-known poet/artists who have a long history of association and collaboration with Gary Hill. This book is handsomely illustrated with photographs of the installation and other relevant works by Hill and is presented in a bilingual, French-English edition.Excerpts from the text: There are works of art that require initiation. This does not mean that they require explanation, special consensus, or any other prescriptive bearing. It does mean that one must discover an appropriate mode of entry which is more than informational. This can involve radical reorientation, as in the case of HanD HearD, which directly (but non-coercively) introduces us to the posture of awareness appropriate to our participation in the piece.Considering more particularly the piece HanD HearD, we discover that its way of being a text imposes nothing on the mind, yet it offers an image (a hand in front of a person's face) as a possible posture of awareness. And because the text has no content other than this posture, it grants the participant direct access from the beginning
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George Quasha is the co-founder of Barrytown/Station Hill Press. He is a poet and artist who works across mediums to explore principles in common within language, sculpture, drawing, video, sound, installation, and performance. His awards include a National Endowment for the Arts Fellowship in poetry (1975), and a John Simon Guggenheim Foundation Fellowship in video art (2006).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 1886449392-11-1
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15849476-75
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1886449392I4N00
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 56 pages; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur GaHiSt10.1
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur LU-9781886449398
Quantité disponible : 3 disponible(s)
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition. Small softcover. Features essays by George Quasha and Charles Stein. Includes some color and black and white illustrations and a list of previous exhibitions. A fine copy in French style wrappers. N° de réf. du vendeur 186803
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 56 pages; in English and French; very good condition; clean and crisp; warmly inscribed "To Barbara", dated 7/5/96 and signed by Gary Hill on first blank page; no other internal marks. From the library of MOMA curator Barbara London. Foreign shipping may be extra. N° de réf. du vendeur GaHiSt45
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Vendeur : Books by Artists, Paris, France
Couverture souple. Etat : Bon. Edition originale. Galerie des Archives & Station Hill Arts. 1996. Gary Hill, George Quasha, Charles Stein. Gary Hill: Hand heard : liminal objects. Catalogue de l'exposition de la Galerie des Archives, Paris (Eté 1996) avec des textes en français et en anglais. This essay, discussing a two-part installation at Galerie des Archives in Paris by the internationally celebrated artist, Gary Hill, explores the enigmatic nature of the work of art as an object and of objects in general, as such issues pertain to Hill's work and these installations in particular. The text is by two well-known poet/artists who have a long history of association and collaboration with Gary Hill. This book is handsomely illustrated with photographs of the installation and other relevant works by Hill and is presented in a bilingual, French-English edition.Excerpts from the text: There are works of art that require initiation. This does not mean that they require explanation, special consensus, or any other prescriptive bearing. It does mean that one must discover an appropriate mode of entry which is more than informational. This can involve radical reorientation, as in the case of HanD HearD, which directly (but non-coercively) introduces us to the posture of awareness appropriate to our participation in the piece.Considering more particularly the piece HanD HearD, we discover that its way of being a text imposes nothing on the mind, yet it offers an image (a hand in front of a person's face) as a possible posture of awareness. And because the text has no content other than this posture, it grants the participant direct access from the beginning. Couverture présentant quelques taches, sinon intérieur frais en très bon état. C45. N° de réf. du vendeur ABE-1614252949419
Quantité disponible : 1 disponible(s)
Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Broschiert. Etat : Sehr gut. Ca. 40 S. mit zahlr. Abb. Sehr gutes Ex. - Hands // Two hands, clearly of a single person, performing the "impossible" movement of passing their fingers through each other. Something that we know cannot be seen is precisely what we are seeing. Instead of supplying the object that in our minds we know "must be there" amidst the largely unfamiliar image data, we must subtract from the all-too-specific image what we know in our minds "can't be there." Yet more than seeing we are sensing, unaccountably getting the feeling of what it would be to actually do such a thing. This eerie identification stems from the phenomenology of perceiving another person's body: The very fact that I have hands means that, if only subliminally, I know through my hands what is happening to other hands. Perhaps this is an istan-ce of morphic resonance (to borrow a concept from biologist Rupert Sheldrake) - a term for the "field effect" in how things indirectly influence each other. It addresses the impressive phenomenon of shared sensitivity amongst members of a kind, the way like affects like even when seemingly at variance with causality, circumstantial evidence and linear logic. Certainly it has to do with entrainment - the natural tendency toward getting into step with others. Is our easy induction into the nearby activity of sympathetic beings evidence that we unconsciously seek out essential sameness? . ISBN 1886449392 Sprache: Deutsch Gewicht in Gramm: 550. N° de réf. du vendeur 933917
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Vendeur : Orpheus Books, Edmonds, WA, Etats-Unis
Soft cover. Etat : As New. No Jacket. Gary Hill (illustrateur). 1st Edition. First edition / First printing. Signed by Artist Gary Hill on the half-title page. Illustrated wrappers. Very fine. Issued without dust jacket, a clear archival jacket is supplied. Text in French and English. Signed by Author(s). N° de réf. du vendeur 15509-2
Quantité disponible : 1 disponible(s)