Dans les années 1960, la poésie visuelle et expérimentale a été largement reconnue comme le premier mouvement de poésie véritablement international, se produisant sur plusieurs continents. La « révolution miméographique » -un nom désignant pour la prolifération après-guerre de petites presses et petits magazines exploités par des artistes - signifiait qu'une variété extraordinaire de travaux expérimentaux est apparue, reflétant souvent un éventail d'influences géographiques et de communautés. After Words est un voyage thématique à travers l'histoire de ces poétiques expérimentales, y compris le cut-up, le collage, les partitions de poésie sonore, les scripts de performance, l'effacement, les systèmes de glyphes, la calligraphie, la typographie expérimentale, les alphabets non occidentaux, les assemblages et au-delà. Plus important encore, il présente ces œuvres dans leurs contextes originaux à travers des photographies de pages réparties à partir de publications et de presses historiques. Les contributeurs incluent : Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuña, Marian Zazeela.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and FuturaBy the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous "mimeograph revolution"-an emerging name for the proliferation of small, poet- and artist-operated presses and little magazines that emerged in the postwar era-meant that an extraordinary variety of experimental work appeared in ephemeral outlets, often reflecting an array of geographic influence and communities.After Words is a thematic journey through the history of these experimental poetics, including cut-up, collage, sound poetry scores, performance scripts, practices of "writing through," erasure, glyph systems, calligraphy, experimental typography, non-Western alphabets, assemblages and beyond. Most importantly, it presents these works within their original contexts through photographs of page spreads from storied publications and presses.Contributors include: Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuña, Marian Zazeela.Little magazines include: A: An Envelope Magazine of Visual Poetry, Alcheringa, Futura, L=A=N=G=U=A=G=E, New Wilderness Letter, Poor.Old.Tired.Horse., Revue OU, Stereo Headphones, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, WhiteWalls.Small presses include: Beau Geste Press, blewointmentpress, C Press, Chax Press, Coach House Press, Edition Hansjörg Mayer, Goliard Press, Hawk's Well Press, Openings Press, Poltroon Press, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Xexoxial Editions. N° de réf. du vendeur LU-9781887123877
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and FuturaBy the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous "mimeograph revolution"an emerging name for the proliferation of small, poet- and artist-operated presses and little magazines that emerged in the postwar erameant that an extraordinary variety of experimental work appeared in ephemeral outlets, often reflecting an array of geographic influence and communities.After Words is a thematic journey through the history of these experimental poetics, including cut-up, collage, sound poetry scores, performance scripts, practices of "writing through," erasure, glyph systems, calligraphy, experimental typography, non-Western alphabets, assemblages and beyond. Most importantly, it presents these works within their original contexts through photographs of page spreads from storied publications and presses.Contributors include: Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuna, Marian Zazeela.Little magazines include: A: An Envelope Magazine of Visual Poetry, Alcheringa, Futura, L=A=N=G=U=A=G=E, New Wilderness Letter, Poor.Old.Tired.Horse., Revue OU, Stereo Headphones, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, WhiteWalls.Small presses include: Beau Geste Press, blewointmentpress, C Press, Chax Press, Coach House Press, Edition Hansjoerg Mayer, Goliard Press, Hawk's Well Press, Openings Press, Poltroon Press, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Xexoxial Editions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781887123877
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and FuturaBy the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous "mimeograph revolution"-an emerging name for the proliferation of small, poet- and artist-operated presses and little magazines that emerged in the postwar era-meant that an extraordinary variety of experimental work appeared in ephemeral outlets, often reflecting an array of geographic influence and communities.After Words is a thematic journey through the history of these experimental poetics, including cut-up, collage, sound poetry scores, performance scripts, practices of "writing through," erasure, glyph systems, calligraphy, experimental typography, non-Western alphabets, assemblages and beyond. Most importantly, it presents these works within their original contexts through photographs of page spreads from storied publications and presses.Contributors include: Mary Beach, Wallace Berman, bill bissett, William S. Burroughs, Henri Chopin, Judith Copithorne, Johanna Drucker, d.a. levy, bpNichol, Seiichi Niikuni, Tom Phillips, Miroljub Todorovic, Cecilia Vicuña, Marian Zazeela.Little magazines include: A: An Envelope Magazine of Visual Poetry, Alcheringa, Futura, L=A=N=G=U=A=G=E, New Wilderness Letter, Poor.Old.Tired.Horse., Revue OU, Stereo Headphones, The Difficulties, The Improbable, The Insect Trust Gazette, The Marrahwanna Quarterly, WhiteWalls.Small presses include: Beau Geste Press, blewointmentpress, C Press, Chax Press, Coach House Press, Edition Hansjörg Mayer, Goliard Press, Hawk's Well Press, Openings Press, Poltroon Press, Siglio Press, Station Hill, Tarasque Press, Tetrad Press, Xexoxial Editions. N° de réf. du vendeur LU-9781887123877
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CW-9781887123877
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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