Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South. Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular.
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Vendeur : Duru Media, Tallahassee, FL, Etats-Unis
paperback. Etat : New. N° de réf. du vendeur 01KRDVAR02ZM83S
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 16098817-n
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular. Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781889282237
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular. N° de réf. du vendeur LU-9781889282237
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular. N° de réf. du vendeur LU-9781889282237
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 88 pages, very good condition, clean and crisp; long inscription on title page in pen, dated 2011 and signed by Jim Roche; no other internal marks. Foreign shipping may be extra. N° de réf. du vendeur JiRoFl30
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Vendeur : W. Lamm, Los Angeles, CA, Etats-Unis
Soft Cover. Etat : As New. First Edition; First Printing. SIGNED and inscribed on the title page by Jim Roche to Elsa Longhauser, the executive director of the Santa Monica Museum of Art. ; As New. Tight, clean and crisp. Flawless and in perfect condition. As New; 9.92 X 8.43 X 0.16 inches; 88 pages. N° de réf. du vendeur 25142
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 16098817
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular Num Pages: 88 pages, 173 color illus. BIC Classification: ACXJ; AGB. Category: (P) Professional & Vocational. Dimension: 6466 x 5499 x 8. Weight in Grams: 431. . 2011. Paperback. . . . . N° de réf. du vendeur V9781889282237
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 88 pages. 9.75x8.25x0.50 inches. In Stock. N° de réf. du vendeur x-1889282235
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