The graceful curves of Frank Gehry's Walt Disney Concert Hall in Los Angeles are familiar to anyone interested in contemporary architecture or the work of this great master. They are also famous, if not infamous, to the ironworkers faced with the challenge of building them. With a building skin stretched tight and tolerances shaved to a thousandth of an inch, there was simply no room for typical industry standards. A new breed of ironworker was required, one who relies on modern tools like lasers, yet whose muscular forms wielding hammers hundreds of feet above the ground testify still to the great unchanging tradition of their trade. Photographer Gil Garcetti had unparalleled free access to the construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in these moving portraits. Garcetti's evocative images, reproduced in rich duotones, bring to life the romantic ideal of the heavy industry.
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The graceful curves of Frank Gehry's Walt Disney Concert Hall in Los Angeles are familiar to anyone interested in contemporary architecture or the work of this great master. They are also famous, if not infamous, to the ironworkers faced with the challenge of building them. With a building skin stretched tight and tolerances shaved to a thousandth of an inch, there was simply no room for typical industry standards. A new breed of ironworker was required, one who relies on modern tools like lasers, yet whose muscular forms wielding hammers hundreds of feet above the ground testify still to the great unchanging tradition of their trade. Photographer Gil Garcetti had unparalleled free access to the construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in these moving portraits. Garcetti's evocative images, reproduced in rich duotones, bring to life the romantic ideal of the heavy industry.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : very_good. N° de réf. du vendeur BSM.18DYV
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1890449288I3N00
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
paperback. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. N° de réf. du vendeur rev6390183838
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Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Paperback. Etat : Very Good. Paperback. Superficial marks on covers. Leading corners, edges and spine ends are very lightly bumped. Cover film has been bumped back slightly on front lower leading corner. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used. N° de réf. du vendeur 292133
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Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Paperback. Etat : Very Good. Paperback. Superficial marks on covers. Light scores on rear cover. Two centimetre tear on front lower edge. Leading corners, edges and spine ends are very lightly bumped. One or two very light marks on page block. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used. N° de réf. du vendeur 292134
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Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Paperback. Etat : Very Good. Paperback. Superficial marks on covers. Leading corners, edges and spine ends are very lightly bumped. One light mark on page block foot. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used. N° de réf. du vendeur 292132
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Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Paperback. Etat : Very Good. Some scoring on covers, with spine bumped top and bottom and only the most minimal wear on leading corners. Inside, all text and B&W photography is bright, tightly bound and clear throughout. TS. Used. N° de réf. du vendeur 253464
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Vendeur : Ammareal, Morangis, France
Softcover. Etat : Bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur H-157-822
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : Used - Like New. The graceful curves of Frank Gehry's Walt Disney Concert Hall in Los Angeles are familiar to anyone interested in contemporary architecture or the work of this great master. They are also famous, if not infamous, to the ironworkers faced with the challenge of building them. With a building skin stretched tight and tolerances shaved to a thousandth of an inch, there was simply no room for typical industry standards. A new breed of ironworker was required, one who relies on modern tools like lasers, yet whose muscular forms wielding hammers hundreds of feet above the ground testify still to the great unchanging tradition of their trade. Photographer Gil Garcetti had unparalleled free access to the construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in these moving portraits. Garcetti's evocative images, reproduced in rich duotones, bring to life the romantic ideal of the heavy industry. Book has minor shelf wear. The book has a slight dent on bottom os spine. N° de réf. du vendeur 44508
Quantité disponible : 1 disponible(s)
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : Used - Very Good. The graceful curves of Frank Gehry's Walt Disney Concert Hall in Los Angeles are familiar to anyone interested in contemporary architecture or the work of this great master. They are also famous, if not infamous, to the ironworkers faced with the challenge of building them. With a building skin stretched tight and tolerances shaved to a thousandth of an inch, there was simply no room for typical industry standards. A new breed of ironworker was required, one who relies on modern tools like lasers, yet whose muscular forms wielding hammers hundreds of feet above the ground testify still to the great unchanging tradition of their trade. Photographer Gil Garcetti had unparalleled free access to the construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in these moving portraits. Garcetti's evocative images, reproduced in rich duotones, bring to life the romantic ideal of the heavy industry. N° de réf. du vendeur 20110126125638
Quantité disponible : 1 disponible(s)