Key Note Recognition - Couverture souple

Arnold, Bruce E.

Couverture souple

ISBN 10 : 1890944777 ISBN 13 : 9781890944773

Editeur : Muse-eek Publishing, 2006

Synopsis

This edition comes with no CD. You must purchase either the associated CD separately or digitally download the CD from an on-line vendor. Otherwise this book is exactly the same as the book/CD edition. KEY NOTE RECOGNITION is part of a series of ear training books designed to help the student develop better relative pitch. This book and separately available CD addresses hearing one specific note against all keys, allowing the student to identify key modulations when they occur. Recommended for use prior to "Ear Training Two Note Method".Recommended prerequisite to this book: "Ear Training One Note Complete." As mentioned the audio portion of this book is also available in CD and MP3 format. This CD and MP3 audio has the same title as this book. Both formats can be purchased from various on-line vendors. A list of recommended vendors can be found on the muse-eek.com website. This book is a required text for students at New York University and Princeton University and is recommended for beginning through advanced students ages 13 and up.

A propos du livre

Présentation de l'éditeur

Key Note Recognition with CD is part of a series of ear training books designed to help the student develop better relative pitch. This book addresses hearing one specific note against all keys, allowing the student to identify key modulations when they occur. Recommended for use prior to Ear Training: Two Note Method. Recommended prerequisite to this book: Ear Training: One Note Advanced or the completion of Ear Training: One Note Complete Method. A student should be getting at least 90 percent correct answers on the Advanced One Note CD before using this book. Furthermore a student should be getting 90 percent correct answers using the Key Note Recognition CD before moving on to the Ear Training: Two Note Beginning Method. EXCERPT 1 There are many applications in the real world for this technique. Below are a couple of common examples: 1. If you walked into a room and a friend was playing a song or melody on an instrument, you could play one note on your instrument and instantly know what key he or she was playing in. Armed with that information you could start improvising in that key, or just playing along with them in the right key. 2. If someone played a chord progression that changed keys and you were asked to improvise over it, you would be able to listen to the notes you play and follow the key changes. For example: a chord progression might start in Ab, you would play a C, it would sound like the 3rd so you could improvise in Ab. Then you might come back to your C a few bars later and notice that it now sounded like the 6th; this would tell you that you have now modulated to Eb so you would start improvising in Eb. This is the same book as ISBN 1890944300. ISBN 1890944300 is out of print in the UK.

Biographie de l'auteur

Bruce Arnold (born 1955 in Sioux Falls, South Dakota, USA) is an author, composer, educator and guitarist residing in New York City. His explorations into the applications of 20th century classical theory in contemporary forms such as Rock and Jazz has created a unique compositional and improvisational sound. As a guest artist Arnold has toured Australia, Canada, the Caribbean, Europe, Japan, Mexico, Russia and the United States. His performance and recording activities include work with a wide array of styles. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Lennie Pickett, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra and the Absolute Ensemble under the baton of Kristjan Järvi. Bruce Arnold's recording credits include over twenty five CDs and DVDs (on Muse-eek Records, MelBay Recordings, Truefire and other labels), ranging from the standard jazz repertoire to free improvisation to the reinterpretations of classical music with the ensemble Spooky Actions. His compositions are published by Muse Eek Publishing, and MelBay Productions. Mr. Arnold's theoretical works have explored the use of Pitch Class Set Theory within a improvisational setting. He is also written more than 60 music instruction books covering Guitar Pedagogy, Ear Training and Time Studies. He is the director of guitar studies at New York University and Princeton University as well as the creator of the New York University Summer Guitar Intensive He has taught at New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.

Détails de l'édition

• Éditeur: Muse-eek Publishing
• Date d'édition: 2006
• Langue: anglais
• ISBN 10: 1890944777
• ISBN 13: 9781890944773
• Reliure: Broché
• Nombre de pages: 52
• Coordonnées du fabricant: Buchpark GmbH; https://www.buchpark.de; ; Krügerweg 1; Trebbin; Brandenburg; 14959; Allemagne