Articles liés à Historical Grammar of the Visual Arts
Synopsis
Aloïs Riegl is one of the greatest of all modern art historians. The most important member of the so-called "Vienna School," Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art).
At last, his Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical "surveys," Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. "The intelligence, originality, and range of Riegl's writings remain unsurpassed in the history of art-historical scholarship. He occupies a singular position as a founder of his discipline and one of its most radical thinkers, and represents a crucial precedent for the current reevaluation of the theory and practice of art history today... . If you are interested in art history, you should read this book, and keep it, if not on a lectern in your study, on your shelf."-- from the foreword by Benjamin BinstockLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Historical Grammar of the Visual Arts (Mit Press)
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Historical Grammar of the Visual Arts (Mit Press)
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Historical Grammar of the Visual Arts
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Alois Riegl: Zone Books: Historical Grammar of the Visual Arts
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Historical Grammar of the Visual Arts (Mit Press)
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Historical Grammar of the Visual Arts. Alois Riegl. Transl. by Jacqueline E. Jung. Foreword by Benjamin Binstock.
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Zone Books; New York, 2004
ISBN 10 : 1890951455
ISBN 13 : 9781890951450
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Etat : Sehr gut. 495 Seiten; Illustrationen; 23,5 cm; fadengeh., rückengoldgepr. Orig.-Leinenband mit farb. illustr. OUmschlag. Sehr gutes Exemplar. - Englisch. - Alois Riegl (* 14. Januar 1858 in Linz; 17. Juni 1905 in Wien) war ein österreichischer Kunsthistoriker, Denkmalpfleger und Vertreter der Wiener Schule der Kunstgeschichte. 1894 wurde er außerordentlicher, 1897 ordentlicher Professor für Kunstgeschichte an der Universität Wien. 1902 bis 1905 war Riegl neben seiner Professur Generalkonservator der Zentralkommission für die Erforschung und Erhaltung der Kunst- und historischen Denkmale. Alois Riegl prägte für die Kunsttheorie den einflussreichen Begriff des Kunstwollens als definierende Kraft einer Stilepoche. Er wendete sich gegen eine an Werteurteilen orientierte Kunstgeschichtsschreibung und betonte die Bedeutung der damals als "Verfallszeiten" geltenden Epochen (Spätantike). Seiner Ansicht nach ist die antike Kunst Ausgangspunkt sowohl der frühmittelalterlichen wie auch der orientalischen Kunst. Einflussreich wurden auch Riegls Konzepte in Sachen Denkmalschutz. Ähnlich Georg Dehio in Deutschland plädierte Riegl gegen die im 19. Jahrhundert verbreitete "Perfektionierung" und den purifizierenden Weiterbau historischer Bauwerke (etwa gotischer Kirchen). (wiki) // INHALT : Foreword --- Alois Riegl, Monumental Ruin: --- Why We Still Need to Read Historical Grammar of the Visual Arts --- Benjamin Binstock --- Translator's Preface --- Übersetzungsfragen: Form, Communication, and Questions of Translating Riegl --- Jacqueline E. Jung --- First Version --- BOOK MANUSCRIPT OF 1897-189 --- Introductory Remarks --- WORLDVIEW --- First Period: Art as Improvement of Nature Through Physical Beauty --- Growth --- Summit --- Decline --- Second Period: Art as Improvement of Nature Through Spiritual Beauty --- Further Developments of Art That Improves Physical Nature --- Byzantine Art --- Art of Islam --- The Actual Course of the Second Period in the West Italy --- THE GROWTH OF NATURE-SPIRITUALIZING ART IN ITALY --- THE SUMMIT OF NATURE-SPIRITUALIZING ART IN FOURTEENTH-CENTURY ITALY --- THE DECLINE OF NATURE-SPIRITUALIZING ART IN THE RENAISSANCE --- Germanic Peoples --- THE GROWTH OF NATURE-SPIRITUALIZING ART AMONG GERMANIC PEOPLES --- The First Impact of Late Roman (and Byzantine) Art on Germanic Peoples --- Carolingian and Ottonian Art The Phase of Romanesque Art --- THE SUMMIT OF GERMANIC CHRISTIAN ART IN --- THE THIRTEENTH AND FOURTEENTH CENTURIES --- THE DECLINE OF GERMANIC CHRISTIAN ART --- Third Period: Art as Reproduction of Transitory Nature --- PART TWO ELEMENTS OF THE WORK OF ART --- Purpose --- First Period: Art Perfects Nature --- Ancient Egyptian Art i --- Greek Art Bejore Alexander the Great i --- Antiquity from Alexander to Constantine the Great --- Second Period: Art Spiritualizes Nature --- Third Period: Art Competes with Nature for Its Own Sake --- V Motifs --- The Nature-Beautifying Period --- Ancient Egyptian Art --- Greek Art Before Alexander the Great --- Antiquity After Alexander the Great --- The Nature-Spiritualizing Period --- Art in Italy --- THE EARLY CHRISTIAN PERIOD --- THE GIOTTESQUE PHASE --- THE RENAISSANCE --- Germanic Christian Art --- THE PERIOD OF GROWTH TO THE TWELFTH CENTURY --- Early Origins from 476 to 768 C.E. --- Carolingian-Ottonian Period --- Romanesque Period --- THE SUMMIT OF GERMANIC CHRISTIAN ART THE DECLINE OF GERMANIC CHRISTIAN ART --- The Period Since 1520 --- Italy --- People of Germanic Roots --- VI Form and Surface --- First Period: Nature-Improving Art --- Egypt --- Greek Art Before Alexander the Great --- ORGANIC MOTIFS --- INORGANIC MOTIFS --- Antiquity After Alexander the Great --- LINEAR PERSPECTIVE --- LIGHT AND SHADOW --- AERIAL PERSPECTIVE --- Second Period: Nature-Spiritualizing Art --- The Revolution of Late Roman Art --- ORGANIC MOTIFS --- INORGANIC MOTIFS --- Byzantine Art --- Islamic Art --- Italian Art --- ROMANESQUE PHASE --- GIOTTESQUE ART --- THE RENAISSANCE --- Draft of the Missing Conclusion --- Gothic --- Italian Renaissance Architecture --- Baroque Architecture --- Second Version --- Introduction --- PART ONE WORLDVIEW --- I First Period: Antique Anthropomorphic Polytheism to the Third Century C.E. --- Ancient Near Eastern Polytheism --- Classical Polytheism to the Hellenistic Age --- The Hellenistic Age --- II Second Period: Christian Monotheism, 313-1520 --- The Eastern Roman Christian Worldview --- The Western Roman Christian Worldview and Its Relation to Art --- III Third Period: Natural-Scientific Worldview --- PART TWO ELEMENTS --- IV Motifs and Purposes --- Motifs in Antiquity Under the Polytheistic Worldview --- Ancient Near FMStern Art --- The Summit of Antique Art with the Greeks --- EARLY GREEK ART --- CLASSICAL ART --- LATE ANTIQUE ART --- LATE ROMAN ART -- (u.a.) ISBN 1890951455 Sprache: Englisch Gewicht in Gramm: 750. N° de réf. du vendeur 1220903
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Historical Grammar of the Visual Arts (Zone Books)
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