This volume of essays looks at Renaissance texts through the lens of modern theories of mimesis, and also investigates traces of Early Modern equivalents within those same works. With the assimilation of critical theory into literary studies during the late 1960s and the 1970s, many scholars challenged the idea that mimesis was an unproblematic 'representation of reality'. Instead, they found a much more complex mimetic art in operation on the early modern stage.
While the work of these earlier scholars is seminal, this volume argues that it is time to re-figure the question of mimesis. Contributors examine a wide variety of Shakespearian and non-Shakespearian texts to come to an increased historical understanding of the way mimesis operated 400 years ago, but, more importantly, how they can be seen to be operating differently today.
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Dr Jonathan Holmes is currently lecturer in Drama and English at Royal Holloway, University of London. He has published articles in journals including Shakespeare Survey and New Theatre Quarterly and is the author of the forthcoming Merely Players: actors' accounts of playing Shakespeare.
Dr Adrian Streete is a lecturer in English at Queen's University, Belfast. He has published work on Marlowe, Shakespeare, Calvin and early modern sign theory.
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Paperback. Etat : New. Focusing squarely on the strength of mimesis as a philosophical idea, this collection of essays considers aspects of mimesis ranging from Shakespeare to colonialism. As the philosophical agenda of major thinkers and writers responds to representational crises like post-structuralism and postmodernism, attention is turning away from artistic expressivity and back towards uses of mimesis. The nine included essays present a varied set of theoretical ideas and challenge the ingrained concept that mimesis is only a transparent reflection of reality. This fresh assessment of an ancient and much-cited practice brings new attention to the ways in which the early modern period made use of such representation. N° de réf. du vendeur LU-9781902806358
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Paperback. Etat : New. Focusing squarely on the strength of mimesis as a philosophical idea, this collection of essays considers aspects of mimesis ranging from Shakespeare to colonialism. As the philosophical agenda of major thinkers and writers responds to representational crises like post-structuralism and postmodernism, attention is turning away from artistic expressivity and back towards uses of mimesis. The nine included essays present a varied set of theoretical ideas and challenge the ingrained concept that mimesis is only a transparent reflection of reality. This fresh assessment of an ancient and much-cited practice brings new attention to the ways in which the early modern period made use of such representation. N° de réf. du vendeur LU-9781902806358
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