This inquiry into the relationship between the “step” in dance and the “foot” in verse invites the reader into a tapestry woven by its crossed paths. A duel career as a dancer and as a poet allows the author to follow his interest in the dance origins of scansion and link it to how the foot connects lyric writing to an “exiled sense” through the felt tread of its rhythm. This is to rediscover the physical feeling of poetry; the fulcrum of a relationship that goes back to the Greek chorus, when every phrase was danced. The author shows how verse and the dance emerged together, as we initially developed bipedalism and speech. Written is a discursive style which allows the author to wander whenever digression seems appropriate, the book offers the reader an entertaining compendium of anecdotes, notions and quotes concerning the relation between our words and our movements. Walking in itself may have ushered in predication – syntax – putting one word in front of another as one put one foot in front of another. Did song emerge separately from language and stimulate ritual dance among women who linked their steps to sounds? The link of speech with movement is explored in ancient art, in theatre and in military drill and psychoanalysis. From the ballet to performance art, the author traces the evolution of recent creativity – free verse finding a parallel in M ick Jagger dancing freely on his own in the ‘60s while performance artists used the freedom of conceptual art to explore “action phrases” linking task-orientated movement with verbal articulation.
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A former dancer with the Royal Ballet, Anthony Howell's first collection, Inside the Castle, came out in 1969. In 1971 he was invited to participate in the Iowa International Writers Program. In 1997 he was short-listed for a Paul Hamlyn Award. His versions of the poems of Statius were well received and those of Fawzi Karim were a Poetry Book Society Recommendation for 2011. He was the founder of The Theatre of Mistakes and editor of Grey Suit: Video for Art and Literature. His most recent book of poems is From Inside, The High Window Press 2017.
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