Matthew Caley's second collection The Scene Of My Former Triumph extends his patrol across the liminal borders between urban myth and the myth of pastoral escape.
One tour-de-force is welcome in a collection, there may well be a dozen in this one. Formally outrageous, culturally light-fingered, Matthew Caley s vision and wit make for poems that turn a wondrous, great lamp on the inter-relatedness of all things. In doing this, he aims to stretch English to its full, muscular extension. Caley is a rare beast, an important poet yet to be discovered by his true readership, which is to say everyone. Read this encomium of delights and be glad.
John Stammers
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Matthew Caley is a London-based poet who has published three book-length collections: Thirst (Slow Dancer, 1999), The Scene of My Former Triumph (Wrecking Ball Press, 2005) and Apparently (Bloodaxe Books, 2010). He has also co-edited Pop Fiction: The Song in Cinema with Stephen Lannin (Intellect, 2005). In a previous life - in Newcastle - he designed record sleeves including Prefab Sprout's debut, Swoon.
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