Ridley Scott's Blade Runner is now widely recognised as a masterwork of science fiction cinema,and one of the most influential of any films released in the last twenty-five years. In Studying Blade Runner, Sean Redmond uses the key concepts of media and film studies―film language, representation, institutions, and audiences―to explore the significance of the film: its breakthrough use of special effects as a narrative tool; the film's revolutionary representation of the future city; its treatment of racial and sexual politics; its unique status as a text whose meaning was fundamentally altered in its rereleased "Director's Cut" form―and what this means in an institutional context.
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Sean Redmond is an associate professor in media and communication at Deakin University. He convenes the Melbourne-based Eye Tracking and the Moving Image Research group, and the Science Fiction Research group at Deakin University. He has published ten books, including A Companion to Celebrity (2015), The AFI Film Reader: Endangering Science Fiction Film (2015), Celebrity and the Media (2014), and The Cinema of Takeshi Kitano: Flowering Blood (2013).
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