Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable.Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime.
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Dr. Robert Maslen is Senior Lecturer in English Literature at the University of Glasgow where he specialises in sixteenth- and seventeenth-century literature, especially prose, and twentieth-century fantastic fiction. He has published two monographs, Elizabethan Fictions (1997) and Shakespeare and Comedy (Arden, 2005).
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Hardcover. Etat : new. Hardcover. Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable.Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime. Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare's plays made capital of this controversy, invoking the case against comedy made by the Elizabethan theatre haters. This book asserts that Shakespeare's use of the comic mode is calculatedly unsettling, and that this is what makes it pleasurable. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781904271673
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare s plays made capital of this controversy, invoking the case against comedy made by the Elizabethan theatre haters. This book asserts that Shakespeare s u. N° de réf. du vendeur 597150090
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Hardcover. Etat : new. Hardcover. Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable.Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime. Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare's plays made capital of this controversy, invoking the case against comedy made by the Elizabethan theatre haters. This book asserts that Shakespeare's use of the comic mode is calculatedly unsettling, and that this is what makes it pleasurable. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781904271673
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable.Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime. N° de réf. du vendeur 9781904271673
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