This book contains an exciting collection of essays focusing on a variety of alternative performances happening in contemporary Ireland. While it highlights the particular representations of gay and lesbian identity it also brings to light how diversity has always been part of Irish culture and is, in fact, shaping what it means to be Irish today. Inside there are provocative chapters from scholars, theatre producers, and theatre artists from around the world analysing everything from the drag scene in Dublin to the Gay Pride Parades in Belfast. Cathleen Ni Houlihan will never be the same !
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This book contains an exciting collection of essays focusing on a variety of alternative performances happening in contemporary Ireland. While it highlights the particular representations of gay and lesbian identity it also brings to light how diversity has always been a part of Irish culture and is, in fact, shaping what it means to be Irish today. Inside there are provocative chapters from scholars, theatre producers, and theatre artists from around the world analysing everything from the drag scene in Dublin to the Gay Pride Parades in Belfast. Cathleen Ni Houlihan will never be the same! Some forty years have passed since the first openly gay character appeared on the Irish stage, sixteen years since homosexuality was decriminalised and two decades since theories of the queer have disrupted notions of normativity. But where has Irish theatre scholarship been hiding all this time? Finally we have an important collection of essays employing methodologies from literary, theatre and performance studies disciplines to queer Irish theatre and by doing so, to contest the compulsory heterosexuality of nation building. This collection proudly asserts that queerness and Irishness are conjoined at the performative hip!
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Orbiting Books, Hereford, Royaume-Uni
paperback. Etat : Good. Bumped edges. Marks to the cover. Slight scratches to cover. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries. N° de réf. du vendeur mon0000708533
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Originalbroschur. Etat : Gut. 227 S. Einband leicht berieben. - Queering Oscar: Versions of Wilde on the Irish Stage and Screen. Eibhear Walshe -- The Politics of Camp: Queering Parades, Performance, and the Public in Belfast. Kathryn Conrad -- Lesbian Versions of the Female Biography Play: Emma Donoghue's I Know My Own Heart and Ladies and Gentlemen. Mária Kurdi -- Touching, Feeling, Cross-dressing: On the Affectivity of Queer Performance. Or, What Makes Panti Fabulous. Fintan Walsh -- Edward Martyn's Theatrical Hieratic Homoeroticism. Michael Patrick Lapointe -- The International Dublin Gay Theatre Festival. Brian Merriman -- Sexuality and the Dysfunctional City: Queering Segregated Space. Niall Rea -- Gender as Performance in the Works of Glasshouse Productions, Dublin. Samuele Grassi -- Queer Wanderers, Queer Spaces: Dramatic Devices for Re-imagining Ireland. Todd Barty -- 'Crying' on 'Pluto': Queering the 'Irish Question' for Global Film Audiences. Charlotte Mclvor -- Living by the Code: Authority in The Gay Detective. Kathleen A. Heininge -- 'There's Nothing Queer Here': The Abbey Theatre and the Problem of Practice David Cregan. ISBN 9781904505426 Sprache: Englisch Gewicht in Gramm: 550. N° de réf. du vendeur 1124919
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