An examination of the embroideries of Mary Queen of Scots and Elizabeth Countess of Shrewsbury, exploring their symbolic imagery, sources, and historical context. Michael Bath reveals how these embroidered panels reflected Mary’s values during her captivity. It includes the full catalogue raisonné of their works and identifies the printed sources that inspired.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. The many pieces of embroidery by Mary Queen of Scots or by Elizabeth Countess of Shrewsbury ('Bess of Hardwick') are among the best-known and most fascinating examples of historical embroidery. However, many questions surrounding their meaning and purpose - and, above all, the sources and patterns used for their imagery (including birds, fish, flowers, monograms, emblems and other devices) - remain unanswered. In 1548, the five-year-old Queen of Scots left her native Scotland to begin her French upbringing as the future Queen of France and it was here that she learned the art of decorative needlework, continuing with the craft during the last twenty years of her exile and confinement in England. Many of her embroideries have survived and can be seen at Oxburgh Hall (Norfolk), the Victoria and Albert Museum and elsewhere, but many more have since disappeared. In this new study Michael Bath not only describes and illustrates the surviving embroideries, but also documents from early records a large number of those that have disappeared. Many of these embroidered panels use emblems, combining a symbolic image with a learned adage, and Professor Bath shows how, in their own day, these were believed to hold moral, political and religious messages which expressed the Catholic queen's values, purposes and intentions. For this reason we find records of them in the forgotten files of the Elizabethan secret services. Mary's emblematic embroideries shed new light on issues surrounding one of the most controversial figures in English and Scottish history. At the same time, this new study shows exactly what sources - prints, engravings, book illustrations - the embroiderers drew on for their patterns, and it includes the first full catalogue raisonne of all the known embroideries created by these two remarkable women. N° de réf. du vendeur 00107712790
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. The many pieces of embroidery by Mary Queen of Scots or by Elizabeth Countess of Shrewsbury ('Bess of Hardwick') are among the best-known and most fascinating examples of historical embroidery. However, many questions surrounding their meaning and purpose - and, above all, the sources and patterns used for their imagery (including birds, fish, flowers, monograms, emblems and other devices) - remain unanswered. In 1548, the five-year-old Queen of Scots left her native Scotland to begin her French upbringing as the future Queen of France and it was here that she learned the art of decorative needlework, continuing with the craft during the last twenty years of her exile and confinement in England. Many of her embroideries have survived and can be seen at Oxburgh Hall (Norfolk), the Victoria and Albert Museum and elsewhere, but many more have since disappeared. In this new study Michael Bath not only describes and illustrates the surviving embroideries, but also documents from early records a large number of those that have disappeared. Many of these embroidered panels use emblems, combining a symbolic image with a learned adage, and Professor Bath shows how, in their own day, these were believed to hold moral, political and religious messages which expressed the Catholic queen's values, purposes and intentions. For this reason we find records of them in the forgotten files of the Elizabethan secret services. Mary's emblematic embroideries shed new light on issues surrounding one of the most controversial figures in English and Scottish history. At the same time, this new study shows exactly what sources - prints, engravings, book illustrations - the embroiderers drew on for their patterns, and it includes the first full catalogue raisonne of all the known embroideries created by these two remarkable women. N° de réf. du vendeur CIN1904982360G
Quantité disponible : 1 disponible(s)
Vendeur : The Oregon Room - Well described books!, Phoenix, OR, Etats-Unis
paperback. Etat : As New. 2008 UK large softbound 1st edition, clean & tight with only very light shelfwear, no markings found, not a remainder, a nice copy. N° de réf. du vendeur k0876
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 5995241
Quantité disponible : 6 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 5995241-n
Quantité disponible : 7 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur LU-9781904982364
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CX-9781904982364
Quantité disponible : 15 disponible(s)
Vendeur : ISD LLC, Bristol, CT, Etats-Unis
paperback. Etat : New. 1st. N° de réf. du vendeur 1881691
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 172 pages. 10.50x7.75x0.50 inches. In Stock. N° de réf. du vendeur __1904982360
Quantité disponible : 2 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 5995241-n
Quantité disponible : 7 disponible(s)