Published to accompany the exhibition at the Serpentine Gallery, London in November 2006, In the darkest hour there may be light provides a revealing and concise overview of Damien Hirst's murderme collection to date. As Julia Peyton-Jones puts it in the Director's Foreword to this beautifully produced catalogue, "Damien Hirst's groundbreaking and controversial work has made him one of the world's best-known living artists. From the start of his career, Hirst adopted the role of curator, organising a series of exhibitions with a group of young artists who would come to define cutting-edge art in the 1990s." Hirst has continually bought and collected works by artists who have inspired and influenced him, such as Francis Bacon, Andy Warhol and Richard Prince, by artists from his own generation such as Sarah Lucas, Angus Fairhurst and Marcus Harvey, and by those at the early stages of their careers such as Rachel Howard, Nicholas Lumb and Tom Ormond. Accompanying the 75 excellent full-color plates of works by the 24 artists exhibited in the show is a humorous but poignant essay by artist and writer Harland Miller reflecting on the idea of collecting from childhood, how obsessive it is, and what a collection is to a collector and to those who see a collection. But it is the interview between Hirst and Hans Ulrich Obrist that gives a direct insight into the motivation and reason behind the murderme collection, and how it relates to Hirst the artist and Hirst the curator. Completed over three months during the summer of 2006, this interview discusses everything from his most famous works, his drawings, influences, practice and attitude towards art, to new projects such as Toddington Manor and the Newport Street Gallery. In many respects 'In the darkest hour there may be light' is perhaps the most comprehensive and intriguing project Hirst has done yet: "Collecting is the way the world works, as a human being. As you go through life, you just collect ... I always think collections are like a map of a man's life."
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. N° de réf. du vendeur M1905190115Z2
Quantité disponible : 1 disponible(s)
Vendeur : Black Gull Books (P.B.F.A.), St Leonard's on Sea, Royaume-Uni
hardcover. Etat : Very Good. N° de réf. du vendeur 18065
Quantité disponible : 2 disponible(s)
Vendeur : Second Story Books, ABAA, Rockville, MD, Etats-Unis
Hardcover. Quarto, unpaged. In Good condition. Spine is black and blue with black print. Boards in illustrated paper. Light wear to spine caps and corners. Text block slight crack to front hinge, inscription in ink on sheet taped to front pastedown. Illustrated: color. Published to accompany exhibition at the Serpentine Gallery, London, 25 November 2006 to 24 January 2007. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1380805. FP New Rockville Stock. N° de réf. du vendeur 1380805
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Fine. Book is in fine condition with colour photos. N° de réf. du vendeur 020659
Quantité disponible : 1 disponible(s)
Vendeur : Henry Pordes Books Ltd, London, Royaume-Uni
Hardcover. Etat : Very Good. Hardcover, 4to, unpaginated. Illustrated paper baords, Very Good condition. Published to accompany the exhibition at the Serpentine Gallery, London in November 2006. N° de réf. du vendeur 037181
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, unpaginated; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur InHiSe50
Quantité disponible : 1 disponible(s)
Vendeur : Sell Books, Elland, YORKS, Royaume-Uni
hardcover. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. N° de réf. du vendeur SBAB-P-BN300293-RAG-20250228-G
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-1905190115
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. Published to accompany the exhibition at the Serpentine Gallery, London in November 2006, In the darkest hour there may be light provides a revealing and concise overview of Damien Hirst's murderme collection to date. As Julia Peyton-Jones puts it in the Director's Foreword to this beautifully produced catalogue, "Damien Hirst's groundbreaking and controversial work has made him one of the world's best-known living artists. From the start of his career, Hirst adopted the role of curator, organising a series of exhibitions with a group of young artists who would come to define cutting-edge art in the 1990s." Hirst has continually bought and collected works by artists who have inspired and influenced him, such as Francis Bacon, Andy Warhol and Richard Prince, by artists from his own generation such as Sarah Lucas, Angus Fairhurst and Marcus Harvey, and by those at the early stages of their careers such as Rachel Howard, Nicholas Lumb and Tom Ormond. Accompanying the 75 excellent full-color plates of works by the 24 artists exhibited in the show is a humorous but poignant essay by artist and writer Harland Miller reflecting on the idea of collecting from childhood, how obsessive it is, and what a collection is to a collector and to those who see a collection. But it is the interview between Hirst and Hans Ulrich Obrist that gives a direct insight into the motivation and reason behind the murderme collection, and how it relates to Hirst the artist and Hirst the curator. Completed over three months during the summer of 2006, this interview discusses everything from his most famous works, his drawings, influences, practice and attitude towards art, to new projects such as Toddington Manor and the Newport Street Gallery. In many respects 'In the darkest hour there may be light' is perhaps the most comprehensive and intriguing project Hirst has done yet: "Collecting is the way the world works, as a human being. As you go through life, you just collect . I always think collections are like a map of a man's life.". N° de réf. du vendeur LU-9781905190119
Quantité disponible : 7 disponible(s)
Vendeur : Rarewaves USA United, HEBRON, KY, Etats-Unis
Hardback. Etat : New. Published to accompany the exhibition at the Serpentine Gallery, London in November 2006, In the darkest hour there may be light provides a revealing and concise overview of Damien Hirst's murderme collection to date. As Julia Peyton-Jones puts it in the Director's Foreword to this beautifully produced catalogue, "Damien Hirst's groundbreaking and controversial work has made him one of the world's best-known living artists. From the start of his career, Hirst adopted the role of curator, organising a series of exhibitions with a group of young artists who would come to define cutting-edge art in the 1990s." Hirst has continually bought and collected works by artists who have inspired and influenced him, such as Francis Bacon, Andy Warhol and Richard Prince, by artists from his own generation such as Sarah Lucas, Angus Fairhurst and Marcus Harvey, and by those at the early stages of their careers such as Rachel Howard, Nicholas Lumb and Tom Ormond. Accompanying the 75 excellent full-color plates of works by the 24 artists exhibited in the show is a humorous but poignant essay by artist and writer Harland Miller reflecting on the idea of collecting from childhood, how obsessive it is, and what a collection is to a collector and to those who see a collection. But it is the interview between Hirst and Hans Ulrich Obrist that gives a direct insight into the motivation and reason behind the murderme collection, and how it relates to Hirst the artist and Hirst the curator. Completed over three months during the summer of 2006, this interview discusses everything from his most famous works, his drawings, influences, practice and attitude towards art, to new projects such as Toddington Manor and the Newport Street Gallery. In many respects 'In the darkest hour there may be light' is perhaps the most comprehensive and intriguing project Hirst has done yet: "Collecting is the way the world works, as a human being. As you go through life, you just collect . I always think collections are like a map of a man's life.". N° de réf. du vendeur LU-9781905190119
Quantité disponible : 7 disponible(s)