Peter Ebsworth is a poet in love with the stage. In Krapp's Last Tape, he treads the line between the audience and the performer, an act of voyeurism and ventriloquism that results in tense snippets of verse only relieved by a tongue in cheek humour that is evident throughout. In his persona poems, he embodies a pantheon of pop culture gods and goddesses such as Marlon Brando, Sticky Vicky, the veteran Benidorm erotic entertainer, and Tony Soprano; in other poems he turns the gaze around to observe them as audience. Selected from literary output ranging over 30 years the tone swings from bullish to reflective, aptly mirroring the gamut of emotions that performers embody on stage. Krapp's Last Tape remains, however, firmly rooted in side stage drama - Ebsworth's interest in Pythagoras is focused on his role as a soldier rather than mathematician, and his girl has a lobster tattoo in place of the dragon of myth.
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Peter Ebsworth lives in Crystal Palace and is the editor of London-themed magazine South Bank Poetry. His poems have most recently been published in Under the Radar, Brittle Star, Other Poetry, The Frogmore Papers, South and The Delinquent.
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Paperback. Etat : Very Good. Peter Ebsworth is a poet in love with the stage. In Krapp's Last Tape, he treads the line between the audience and the performer, an act of voyeurism and ventriloquism that results in tense snippets of verse only relieved by a tongue in cheek humour that is evident throughout. In his persona poems, he embodies a pantheon of pop culture gods and goddesses such as Marlon Brando, Sticky Vicky, the veteran Benidorm erotic entertainer, and Tony Soprano; in other poems he turns the gaze around to observe them as audience. Selected from literary output ranging over 30 years the tone swings from bullish to reflective, aptly mirroring the gamut of emotions that performers embody on stage. Krapp's Last Tape remains, however, firmly rooted in side stage drama - Ebsworth's interest in Pythagoras is focused on his role as a soldier rather than mathematician, and his girl has a lobster tattoo in place of the dragon of myth. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007913180
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Paperback. Etat : new. Paperback. Peter Ebsworth is a poet in love with the stage. In Krapp's Last Tape, he treads the line between the audience and the performer, an act of voyeurism and ventriloquism that results in tense snippets of verse only relieved by a tongue in cheek humour that is evident throughout. In his persona poems, he embodies a pantheon of pop culture gods and goddesses such as Marlon Brando, Sticky Vicky, the veteran Benidorm erotic entertainer, and Tony Soprano; in other poems he turns the gaze around to observe them as audience. Selected from literary output ranging over 30 years the tone swings from bullish to reflective, aptly mirroring the gamut of emotions that performers embody on stage. Krapp's Last Tape remains, however, firmly rooted in side stage drama - Ebsworth's interest in Pythagoras is focused on his role as a soldier rather than mathematician, and his girl has a lobster tattoo in place of the dragon of myth. Peter Ebsworth is a poet in love with the stage. Enlisting heavyweights such as Sarah Kane and Samuel Beckett to Sticky Vicky, the veteran Benidorm erotic entertainer, as extras, his debut collection, Krapp's Last Tape, shows him to be a true connoisseur of high and low culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781905233434
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Paperback. Etat : New. Peter Ebsworth is a poet in love with the stage. In Krapp's Last Tape, he treads the line between the audience and the performer, an act of voyeurism and ventriloquism that results in tense snippets of verse only relieved by a tongue in cheek humour that is evident throughout. In his persona poems, he embodies a pantheon of pop culture gods and goddesses such as Marlon Brando, Sticky Vicky, the veteran Benidorm erotic entertainer, and Tony Soprano; in other poems he turns the gaze around to observe them as audience. Selected from literary output ranging over 30 years the tone swings from bullish to reflective, aptly mirroring the gamut of emotions that performers embody on stage. Krapp's Last Tape remains, however, firmly rooted in side stage drama - Ebsworth's interest in Pythagoras is focused on his role as a soldier rather than mathematician, and his girl has a lobster tattoo in place of the dragon of myth. N° de réf. du vendeur LU-9781905233434
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