Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history.
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Jeffrey Weinstock is Assistant Professor of American literature and culture at Central Michigan University. He is the editor of Spectral America: Phantoms and the National Imagination (2004) and The Nothing That Is: Millennial Cinema and the Blair Witch Controversies (2004).
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Paperback. Etat : new. Paperback. Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history. "The Rocky Horror Picture Show" grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This volume tells the story of the film from initial reception to eventual cult status. It explores its emphasis on the theatrical body. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781905674503
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