Celia Scott attempts to rescue public sculpture from its exclusively classical connotations, while at the same time employing the visual and formal language of classical method. The resulting work sets itself apart from the current architectural and artistic landscape, highlighting moments in the collective memory against the backdrop of modern experience. This classical approach chooses strange subjects, indeed most of Scott's sitters were influenced by, and influential in, the modernist movement in architecture. Alan Colquhoun opens this volume with a critical look at public sculpture and Scott's place within, and outside of, its limits. In a characteristically robust analysis, Colquhoun examines the psychological and physical origins of Scott's practice, and relates her work to the history and meaning of public sculpture. Celia Scott profiles some of the artist's best-known heads, from Eduardo Paolozzi to Colin St. John Wilson, with both a rigorous discussion of their aesthetic nature, and the engaging narrative surrounding their creation.
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Vendeur : Academybookshop, Long Island City, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur D-xpp-00462
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 16579189-6
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Vendeur : Bill & Ben Books, Faringdon, Royaume-Uni
Hardback. Etat : New. Celia Scott attempts to rescue public sculpture from its exclusively classical connotations, while at the same time employing the visual and formal language of classical method. The resulting work sets itself apart from the current architectural and artistic landscape, highlighting moments in the collective memory against the backdrop of modern experience. This classical approach chooses strange subjects, indeed most of Scott's sitters were influenced by, and influential in, the modernist movement in architecture. Alan Colquhoun opens this volume with a critical look at public sculpture and Scott's place within, and outside of, its limits. In a characteristically robust analysis, Colquhoun examines the psychological and physical origins of Scott's practice, and relates her work to the history and meaning of public sculpture. Celia Scott profiles some of the artist's best-known heads, from Eduardo Paolozzi to Colin St. John Wilson, with both a rigorous discussion of their aesthetic nature, and the engaging narrative surrounding their creation. N° de réf. du vendeur 0017529
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Vendeur : Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Royaume-Uni
Etat : Very Good. Cover has light scratches and marks. Some outer edges have minor scuffs. Book content is in like new condition. N° de réf. du vendeur 071665-4
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Vendeur : Lectioz Books, Gloucester, NSW, Australie
Pictorial Hardcover. Etat : Near Fine. 1st Edition. Minimal wear to boards. Protected in Mylar cover (not taped to book). Internally very clean. Binding tight. 156pp Celia Scott attempts to rescue public sculpture from its exclusively classical connotations, while at the same time employing the visual and formal language of classical method. The resulting work sets itself apart from the current architectural and artistic landscape, highlighting moments in the collective memory against the backdrop of modern experience. This classical approach chooses strange subjects, indeed most of Scott's sitters were influenced by, and influential in, the modernist movement in architecture. Size: 235mm x 275mm. Book. N° de réf. du vendeur 027465
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Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped. N° de réf. du vendeur 1906155178-9-18
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Vendeur : O.o.l.p., Torino, TO, Italie
N° de réf. du vendeur 9781906155179
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