"Yes, that is the Christ. This is how my spiritual eye perceived him in Palestine."
--Rudolf Steiner (speaking of his sculpture, The Representative of Humanity)
Rudolf Steiner referred to The Representative of Humanity--the wooden "group" sculpture of the figure of Christ surrounded by adversary spiritual beings--as the center of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position it did in the first building.
What was Steiner's essential purpose for the sculptural group within the mystery building he conceived, and why did he regard it as the "crown" of the building? What were his intentions--specifically, what were the spiritual aims behind Steiner's remarkable depiction of Christ?
Steiner described the core purpose of Anthroposophy to be a preparation for Christ's etheric reappearance. The Christ he sculpted was not the possession of a specific community with a religious worldview, but a being active in all of humanity and, thus, "a figure of the future."
In this focused and powerful short book, Peter Selg engages with these highly contemporary issues, providing thoughtful insights and answers that point to mysteries of the future and humanity's development and the transformation of evil.
"It was my task in Dornach to place within this building of the School of Spiritual Science the central group, which depicts the Representative of Humanity between luciferic and ahrimanic powers." --Rudolf SteinerThis volume was originally published in German as Die Gestalt Christi (Verlag des Ita Wegman Instituts, 2008).Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Selg studied medicine in Witten-Herdecke, Zurich, and Berlin and, until 2000, worked as the head physician of the juvenile psychiatry department of Herdecke Hospital in Germany. Dr. Selg is director of the Ita Wegman Institute for Basic Research into Anthroposophy (Arlesheim, Switzerland), professor of medicine at the Alanus University of Arts and Social Sciences (Germany), and co-leader of the General Anthroposophical Section at the Goetheanum. He is the author of numerous books on Rudolf Steiner, anthroposophy, medical ethics, and the development of culture and consciousness.
Assya Turgenieff, a niece of the famous novelist Ivan Turgenieff, was the pioneer artist who, under the guidance of Rudolf Steiner, made the stained glass windows for the first Goetheanum in Dornach, Switzerland.
Matthew Barton is a translator, editor, teacher, and poet, and taught kindergarten for many years at the Bristol Waldorf School. His first collection of poems was Learning To Row (1999). He has won numerous prizes for his work, including an Arts Council Writer's Award and a Hawthornden Fellowship.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Rudolf Steiner referred to the wooden 'group' sculpture of the figure of Christ surrounded by adversary spiritual beings as the centre of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position 'as in the first building'. What was Rudolf Steiner's essential aim for the sculptural group within the Mystery building he conceived, and why did he regard it as the crown of the building? What were Steiner's intentions - and, specifically, what were the spiritual aims behind this remarkable depiction of Christ? Rudolf Steiner described the core task of anthroposophical spiritual science as preparing for Christ's reappearance in the etheric realm. The Christ he sculpted was not the possession of a specific community with a religious world view, but rather a being active throughout humanity, and thus 'a figure of the future'. In this focused and powerful short book, Peter Selg engages with these highly-contemporary issues, providing thoughtful insights and answers that point to mysteries of the future involving humanity's further development and the transforming of evil. N° de réf. du vendeur LU-9781906999018
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Paperback. Etat : New. Rudolf Steiner referred to the wooden 'group' sculpture of the figure of Christ surrounded by adversary spiritual beings as the centre of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position 'as in the first building'. What was Rudolf Steiner's essential aim for the sculptural group within the Mystery building he conceived, and why did he regard it as the crown of the building? What were Steiner's intentions - and, specifically, what were the spiritual aims behind this remarkable depiction of Christ? Rudolf Steiner described the core task of anthroposophical spiritual science as preparing for Christ's reappearance in the etheric realm. The Christ he sculpted was not the possession of a specific community with a religious world view, but rather a being active throughout humanity, and thus 'a figure of the future'. In this focused and powerful short book, Peter Selg engages with these highly-contemporary issues, providing thoughtful insights and answers that point to mysteries of the future involving humanity's further development and the transforming of evil. N° de réf. du vendeur LU-9781906999018
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Paperback. Etat : new. Paperback. Rudolf Steiner referred to the wooden 'group' sculpture of the figure of Christ surrounded by adversary spiritual beings as the centre of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position 'as in the first building'. What was Rudolf Steiner's essential aim for the sculptural group within the Mystery building he conceived, and why did he regard it as the crown of the building? What were Steiner's intentions - and, specifically, what were the spiritual aims behind this remarkable depiction of Christ? Rudolf Steiner described the core task of anthroposophical spiritual science as preparing for Christ's reappearance in the etheric realm. The Christ he sculpted was not the possession of a specific community with a religious world view, but rather a being active throughout humanity, and thus 'a figure of the future'. In this focused and powerful short book, Peter Selg engages with these highly-contemporary issues, providing thoughtful insights and answers that point to mysteries of the future involving humanity's further development and the transforming of evil. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781906999018
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