The story of the creative relationship between the Dutch artist Piet Mondrian (1872–1944) and the British artist Ben Nicholson (1894–1982) is largely untold, yet during the 1930s they were leading forces of avant-garde art in Europe and their work was profoundly connected. This book accompanies an exhibition at the Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Mondrian and Nicholson during this remarkable decade. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aesthetic and spiritual power. Nicholson’s visit in 1934 to Mondrian’s studio in Paris, where they were both involved with the Abstraction-Création group, inspired a friendship that would last until Mondrian’s death ten years later and would see them working in neighboring London studios for two years from 1938. Together they contributed to a number of groundbreaking exhibitions and avant-garde publications, in which their work was often presented side by side, expressing their shared commitment to creating new forms of abstract art. The friendship spanned a highly productive period for both artists who, in their different ways, were determined to refine and intensify their abstract work. Nicholson found powerful confirmation of his artistic convictions through Mondrian’s example, which emboldened his approach and led him to produce some of the very greatest works of his career. At the same time Mondrian was taking new directions in his painting, making greater use of expanded areas of white space in combination with restrained but intensive areas of vibrant color. He also renewed the possibilities of his famous horizontal and vertical black lines leading to his development of the ‘double line’, which greatly enhanced the visual dynamism of his compositions and are recognized today as being among his most iconic painting. This publication will reunite paintings and reliefs which were exhibited or published together in the 1930s as well as the Mondrian works originally bought by collectors from Nicholson’s circle. It will explore in depth the importance of the relationship and the shared artistic sensibilities of the two artists, shedding new light upon this vital episode in the history of abstract art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Barnaby Wright is deputy head and Daniel Katz Curator of Twentieth-Century Art at the Courtauld Gallery in London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized. N° de réf. du vendeur mon0000249193
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. bumped/creased, some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Standard-sized. N° de réf. du vendeur 1907372326-02
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Very Good. 1st. 149 pages, illustrations (some colour); 26 cm. Exhibition Catalogue. Firm binding, clean inside copy. Moderate edgewear to wraps, age toning. *** "This book accompanies an exhibition at the Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Mondrian and Nicholson durings this remarkable decade. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aesthetic and spiritual power." - Publisher. *** CONTENTS: Mondrian, Nicholson: Nicholson, Mondrian: in parallel, by Christopher Green; Mondrian and London, by Sophie Bowness; Ben Nicholson and Piet Mondrian: art, the studio and the modern interior, by Lee Beard. Size: 4to. N° de réf. du vendeur 114131
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Vendeur : Yes Books, Portland, ME, Etats-Unis
Soft cover. Etat : New. Etat de la jaquette : No Dust Jacket. 1st Edition. A new copy. 150 pages. N° de réf. du vendeur 011487
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Vendeur : Chequamegon Books, Washburn, WI, Etats-Unis
paperback. Etat : near fine. 8 1/2 x 10 1/8" 252 pages. tiny bump to upper front cover corner essays by Christopher Green Sophie Bowness Lee Beard. Catalogue by Christopher Green & Barnaby Wright. N° de réf. du vendeur 115540
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Vendeur : Frances Wetherell, Cambridge, Royaume-Uni
Soft cover. Etat : Fine. Etat de la jaquette : No Jacket as issued. 1st Edition. Published on the occasion of the exhibition 16th February to 20th May 2012. Virtually as new. N° de réf. du vendeur 006614
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. N° de réf. du vendeur SA12OS-00603
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Etat : Used - Very Good. 2012. Paperback. Pbk. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy. Very Good. N° de réf. du vendeur SON000007242
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Etat : Used - Like New. 2012. Paperback. Quarto. 152 pp. Profusely illustrated. Fine. N° de réf. du vendeur C42728
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Vendeur : THE CROSS Art + Books, Sydney, NSW, Australie
26.0 x 21.5cms 152pp b/w & colour illusts very good paperback & cover Catalogue that accompanied the first exhibition to explore the story of the creative relationship between Piet Mondrian & Ben Nicholson. N° de réf. du vendeur 30106482
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