Every city in Britain has its Moseley, the edgy, arty Birmingham anti-suburb where the studes and crusties come to rent and squat. Charlie Hill's intelligent and witty The Space Between Things captures their culture with brutal, unpretentious clarity. His novel charts the years between Moseley s first rave and the height of the road protests, an age of well-meaning self-indulgence, where the partying never ends but the politics never quite get going. It is, like the suburb itself, playful, unruly and bursting with generous energy. --Jim Crace
What I like very much about this novel is that it vividly captures a moment in Britain's recent past, and takes us inside a world and a milieu which most readers won't have known before. And of course, as a tragic love story, it packs a considerable punch. --Jonathan Coe
How far would you go to win the love of a woman? Arch, a wannabe poet living in a bohemian Birmingham suburb, likes to party and has no time for love or seriousness. Then he meets the mysterious Vee. They have a one-night stand and she leaves him the next day with a challenge: throw yourself into the world and its possibilities. Discovering that Vee has gone to Croatia to photograph the war, Arch begins to expand his horizons. As the government clamps down on road protesters, new age travellers and the free festival scene, he throws himself into the subsequent campaign of civil disobedience. But will it be enough for the returning Vee? The Space Between Things is a satirical love story set in the social turmoil of the early 1990 s. It is the first fictionalised account of the road protest movement.
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